Brooklyn's genre-defying Oneida takes their primary cues from '60s garage and punk bands (especially MC5), but throw in plenty of heavy, bluesy '70s stoner rock (think Blue Cheer, Foghat, etc.), plus dashes of jerky synth pop, avant-garde jazz, and Krautrock. Originally featuring guitarist/vocalist Papa Crazy (aka PCRZ), keyboardist Bobby Matador (aka Fat Bobby), drummer Kid Millions, and bassist/guitarist Hanoi Jane (aka Baby Jane), the group made a name for itself in the New York area by virtue of its raucous live performances, which were frequently conducted in lofts and warehouses. Oneida's 1997 debut, A Place Called El Shaddai's, was released by Turnbuckle, but by 1999's Enemy Hogs, they had moved to Jagjaguwar. They were especially prolific in 2000, releasing both the Steel Rod EP and the full-length Come on Everybody Let's Rock. They continued to issue albums at a relatively swift pace, issuing Anthem of the Moon in 2001 (the last record to feature Papa Crazy, who split from the band in late 2001) and Each One Teach One a year later. Atheists, Reconsider a split EP with the equally formidable Liars, also came out that year on the Arena Rock Recording Company imprint. 2003 saw Oneida release their sixth, and best, album, Secret Wars, as well as writing and recording the score for Speedo, a documentary about Long Island and New Jersey's demolition derby circuit. Unfortunately, the music was for the most part left out of the finished film. It didn't slow the band down much, though, as they released the Nice./Splittin' Peaches EP for Ace Fu in late 2004 and The Wedding for Jajgjaguwar in early 2005, and by the next year the trio's eighth album, Happy New Year, hit shelves. ~ Steve Huey, All Music GuideMore