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Boøwy
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Although they would eventually become one of the biggest bands in Japan in the '80s,
Boøwy
had to face not only the pitfalls of a band finding its feet, but would have to fight an uphill battle against a Japanese record industry that wasn't too happy about a band that took promotion and management into its own hands.
Boøwy
's roots first took shape way back in 1979, when founding members
Himuro Kyosuke
and
Hotei Tomoyasu
were involved in a
music contest in their hometown of Takasaki.
Himuro
's band,
Death Penalty
, won, and
Hotei
's band finished runner-up.
Himuro
coupled victory with signing to a label and moving himself and
Death Penalty
to Tokyo, and although
Hotei
still had school to finish, he was expelled and found himself moving to the city as well a year or so later.
Death Penalty
split shortly after moving to Tokyo, and
Himuro
found himself fronting the band
Spinach Power
for a short time before leaving that band in 1980.
Himuro
then approached the newly arrived
Hotei Tomoyasu
about starting a band. Auditions were held, and with all the members in place --
Kyosuke
on vocals,
Tomoyasu
on guitar,
Moroboshi Atsushi
on guitar,
Matsui Tsunematsu
on bass,
Fuazawa Matusaki
on saxophone, and
Kimura Mamoru
on drums --
Boui
were ready to take on Japan.
After many gigs and mailing a number of demos to various record companies,
Boui
were signed to Victor Entertainment. The next few years were turbulent -- to say the least -- for the band.
Takahashi Makoto
joined the band in 1981 (replacing
Mamoru
, who had decided to call it a day), and in 1982, the newly christened
Boøwy
released their first album,
Moral
. The decision to explore a more pop-oriented direction led to the departure of
Fuazawa
and
Moroboshi
, but the core of
Himuro
and
Hotei
decided to soldier on as a four-piece -- which would be the lineup of the band until its demise in 1987. It was in 1983 that
Boøwy
made their most important and infamous decision, that being to leave their label and promote, manage, and release their own work themselves. With former
Blue Film
member
Tsuchiya Mamoru
taking over as manager,
Boøwy
were cut adrift, as no one (the music business in Japan at the time was not supportive of the D.I.Y. ethic of other scenes like that of the U.K. or the United States) would promote or give them any coverage.
Eventually, by building word-of-mouth buzz with their popular live shows, they overcame the odds, eventually building up enough of a buzz to sign with small label Yui, leading -- in time -- to their contract with Toshiba EMI. Things started to snowball for
Boøwy
in 1985, when they released their highly successful breakthrough album,
Boøwy
. Over the next two years, the band would release four more albums (three studio, one live) and become the biggest and most popular group in Japan. In December of 1987, the band -- possibly due to internal tensions between the founders -- called it quits, and played two hugely successful farewell gigs in April 1988.
Kyosuke
and
Tomoyasu
both had highly successful careers after
Boøwy
. ~ Chris True, All Music Guide
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