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The Juan Maclean
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Prior to becoming one of the most significant names on the DFA label,
John Maclean
was a member of Sub Pop band
Six Finger Satellite
. Initially,
Six Finger Satellite
fit in with the remainder of the Sub Pop roster, but after one EP, they took a sharp turn into herky-jerky post-punk that was inspired by
Devo
,
Big Black
, and
Suicide
instead of
Black Sabbath
,
the Stooges
, and
Led Zeppelin
. By the time they went to record their final album, 1998's
Law of Ruins
,
Krautrock also began to play a major role, as did
James Murphy
, who produced, engineered, and mixed the sessions, in addition to running the band's live sound.
When
Six Finger Satellite
broke up,
Maclean
's aggravated emotional state and long-term drug addiction took him low enough to provoke a move from New York to New Hampshire and a drastic change in lifestyle.
Murphy
and
Tim Goldsworthy
, who were getting the DFA label off the ground, provoked
Maclean
to become interested in making music again. Using the name
the Juan Maclean
,
Maclean
took the sound of his defunct band to the dancefloor, retaining flashes of post-punk and '70s experimental electronics while grafting bits of early Euro-disco, electro, Detroit techno, and Chicago house. A handful of singles -- including DFA highlights
"You Can't Have It Both Ways"
and
"Give Me Every Little Thing"
-- led to 2005's
Less Than Human
, the first album credited to
the Juan Maclean
.
The Future Will Come
followed in 2009, preceded by the singles
"Happy House"
and
"The Simple Life."
~ Andy Kellman, All Music Guide
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Aug 21st, 7:48pm
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Albums (4)
The Future Will Come
(8 songs)
Visitations
(12 songs)
Less Than Human
(9 songs)
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Give Me Every Little Thing
(6 songs)
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