DJ Playlist - The Best Top 10 [1-31 October 2009]
DJ $OUNDZ 2A BOUNC3® - BKK, TH



[Exclusive Party Dance 2009!] For Spin In Da Club 2009!
Got All The Best Newest & Hottest Hiphop-Dance Year 2oo9 In This Playlist!



THE BEST 100 TOP SONGS '2008 SPIN IN DA CLUB!
Got All The Best Hottest Hiphop-Dance Year 2oo8 In This Playlist!



Club : Bed Supperclub
State : Sukhumvit 11, Bangkok, Thailand.



Club : Route66 The Level (HipHop Zone)
State : RCA, Bangkok, Thailand.

Triple C's - Custom Cars & Cycles









Triple C's released their studio album debut, Custom Cars & Cycles through Maybach Music Group/Def Jam on October 27th. The trio, who are also known as Carol City Cartel is made up of rappers: Gunplay, Torch, and Young Breed.

Rick Ross created the group in 2007 following his departure from Suave House Records. The objective of the group was simple: To make music that appealed to the streets and to attain the lifestyle that fame and success bring: the finest women, the best clothes, and the nicest custom cars and cycles. The release of this album is the realization of that goal, hence the title.

The group accomplishes their goal to make street music right from the intro song, Custom Cars & Clips, which includes the typical topics for any given song: Money, cars, clothes, jewels, etc. Tracks that stand out from the bunch are White Sand which features production from Phil 4 Real and Err Day featuring Young Jeezy. Both songs demand respect from your speakers, blast them accordingly. The best song on the album though is by far, Diamonds & Maybachs Pt. 2 featuring Suede Royale, if for no reasons other than The Tranzformerz production, Suede's master of the hook, and Ross' verse. Meant for the drop-top convertible on a sunny day the track will have you vibing along regardless of your location or vehicle.

The disappointments are surprisingly few. We Gettin' It has potential but is derailed by the hook, "...ball like we just won the super-bowl." Chickn Talkn featuring Mack 10 and Warren G feels like a collision of the West and the South as opposed to a mingling of the two different styles. Yams Pt. 2 featuring Yo Gotti isn't necessarily a complete lost, but Yam Pt. 1 with the Ross verse is better.

Overall, the album does an excellent job introducing Triple C's style: Southern Made-Gangsta Rap. Don't go dissecting the lyrics or looking for much substance, instead spend your time enjoying some of the best production your Chevy has had the pleasure of blasting so far this year.

Three 6 Mafia - Laws Of Power






Academy-Award Winner, Juicy J of Three 6 Mafia, anticipates the November 10th release of the group's new album Laws Of Power. In this interview, Juicy J discusses how life has been different since he won an Oscar, how he came up with the name for his new album, and some of the advice his father gave him when he was growing up. Juicy J also opens up about what most attracts him to a woman and his favorite night spot in Los Angeles. He talks about law enforcement and racial profiling, and how if you take risks in life - you're bound to get into some trouble. Since winning an Oscar for the song he made in the movie Hustle & Flow, It's Hard Out Here For A Pimp, Three 6 Mafia has taken tons of risks! They started a popular reality TV show, a cooking show, and they have been working on three different movie projects. Most importantly, Three 6 Mafia has continued to make the gangsta rap music that we all know and love.

Hey! I'm gonna make this quick and fun because I heard you've been in a lot of interviews today.

Ok, that sounds good.

First off, I wanted to say that Chaka Zulu told me to say hi for him...

Yeah cool. Tell him I say "What's up!"

I will. First and most importantly, what's your favorite food? I heard you guys take food pretty seriously and are doing this new cooking show.

I like Memphis BBQ.

What is that?

Memphis.

Oh!

It's my hometown Barbeque.

I thought you just said Minted Barbeque.

[Laughs] Nah, I said Memphis.

Oh ok, now I got you. I know you guys had your own reality TV show Adventures In Hollyhood. How'd you like filming that? What was the process like?

It was great! It was a party every day, ya know. That's all we did was pretty much party. We were just being ourselves - we hung out and kicked it - ya know.

How did it feel to have the cameras looking at you all the time?

Well, I'm so used to the cameras looking at me all the time anyway. In these days, you can go to a club and you can be dancing with a female at a bar and somebody's got some kind of iPhone or something pointing in your face. There are so many cameras anyway that it really didn't bug us, it was cool.

And who creatively decided to put the 'Hood' into Hollywood?

We did.

You guys did that. [Laughs]

Yup.

And going around LA during filming, what would you say you're favorite part of LA is?

I like Sunset. They got this bar on Sunset called "Saddle Ranch."

Oh my goodness! [Laughs]

And it reminds me of a bar I used to go to in Memphis - and that I still like to go to in Memphis called TJ Mulligans. It's kinda like this rock and roll music playing and girls. And it reminds me of that. When I first came to LA and went to that place, I was like - wow!

When I went to "Saddle Ranch," I remember a girl falling off the Bull - she was like three hundred pounds and she flipped over the Bull when she fell off. Everyone was laughing and cheering and I felt so bad - I never went back again.

The bull huh...

Yeah it was crazy!

That's funny. Yeah, it reminds me of the South so much, I swear. It just gives you that cowboy feel so I love that place.

And I'm sure you've heard this a lot today, but can you please tell me how you came up with the name for your new album Laws Of Power?

We just sat down. Our album titles always have a meaning to them - it's just the laws of power. All the songs on the album are the laws. And we got a song called Shots After Shots. It's like the laws of drinking and taking shots. We've got a song that's called Let's Get High, and it's the laws of getting high. We also got a song called Go To Work, which is the laws of a person going to work. You gotta get up, you gotta feed your family - you know, that's a law. And that's the substance of it.

So your album is not so much dealing with the legal system - instead, it's more like a guide to life?

Yeah, yeah - that's what I would say - a guide to life. It's how to guide your days through life. It can be so short these days man, so you gotta set yourself some goals, look up the laws, and just go with it.

And what would you say is the number one thing that sets this album apart from your other albums?

The number one thing that sets it apart. I would say that this album sounds more like - as far as the album cuts on the song - the gangster stuff sounds more like the older, older Three 6 Mafia stuff, like the early nineties.

Oh ok. And in another interview you referred to women as "Queens." Can you please explain?

Did you say clean or queen?

[Laughs] I said queen, as in "King and Queen."

Yeah, you know what, I think every woman is a queen - you know what I'm saying. If they know how to represent themselves and treat themselves right. If they know how to keep themselves up - ya know, then I think that every woman is a queen.

And have you met your queen yet?

Have I met me a queen yet...

Yeah, your personal queen - like a longterm queen? [Laughs]

I'm single and ready to mingle!

And what would you say most attracts you to a woman? Is it her eyes, her hair, her brains, or her butt or something completely different?

I think all of those things. I would mainly say brains. If you meet somebody - I'm really picky - I'd rather meet someone where I can talk to them and hold a conversation. Instead of meet somebody where I'm just thinking, "Oh my God, I just wish she'd hurry up and finish her drink so I can leave"...you know what I mean?

Yeah! And have you noticed that people have treated you differently after you won an Oscar? And if so, what sort of differences have you noticed?

I mean it's been great. It's been a blessing. I mean, a lot of people come up to us and they're like, "Wow man, you guys have been out there for so long, and you're still doing it." It's just such a huge accomplishment in life - it's a blessing, it's great. Everyone has been treating us with respect and love, it's been cool.

Juicy J, I heard that your father was a preacher.

Yup.

So growing up, did you get a religious upbringing? Or did you get into trouble a lot of trouble as a kid?

I mean, as a kid we all got into trouble. I mean, my dad is a great dad. He stuck by me, you know what I mean. He's still with the family. A lot of people's dads, they come in and then they leave. I think growing up as a kid these days, you need that extra parent. I see so many people that have a mom, but no dad and the balance is kind of different, ya know. So I was blessed to have a dad that stuck around, was down for the family, and hustled. He sort of guided me in the right direction. Honestly, if he wasn't around, I wouldn't be around today. I wouldn't be doing this today. My dad gave me some motivation and told me, "Hey man, you don't have to work for nobody, you can own your own business." He said, "If I was you, I wouldn't even be trying to look for a job and I would start my own thing." He said, "You're doing your music thing - just try to stick with that."

Wow.

He really tried to push me forward...and it was a blessing to have a dad who would be in my corner like that.

And what's the nicest thing you've ever done for your parents since you became who you are in the business?

I bought them a house. My mom drives around in a Benz.

Nice! So she's happy.

It's great, ya know - it's great.

It's ironic that your dad is a preacher and that there were rumors flying around that your group's lyrics and the name of your group alluded to satanic worship. Did your dad ever talk to you about these rumors, or did you guys just kind of laugh off these rumors?

Yeah, we laughed it off because it was funny...because it's just not true. I mean people say anything they wanna say to just get a little buzz on the Internet. But hey, you can Twitter me, the real Juicy J, and you can ask me any question. If it's a positive, direct question and I feel like I wanna answer it - then I will answer it. Nine times out of ten, I will answer it, even if it is kinda stupid. Sometimes you gotta answer a stupid question with a stupid answer.

...and speaking of people trying to censor what you say - I remember when I was a freshman in college reading about someone filing a First Amendment lawsuit against your group for what lyrics you rapped during a concert after someone got beat up - you rapped, "Let's start a riot." Did this whole thing stress you out, or do you often have people trying to cut off what you're saying?

I can't remember man. If it was something back in the day, I can't remember. But I'm not really worried about that, ya know. I'm just really happy to be here. I mean, people can say what they wanna say and do what they wanna do - you really can't stop that. You can't please everybody.

That's definitely true.

So let the games begin.

And this is another song lyrics question. In a lot of your songs, you say, "F*ck the police" and "F*ck the Feds." Have you every personally had any negative encounters with the law? Or are you just talking about broader society in general?

I think everybody's had some problems with the law, here and there - everybody. I mean, you probably got pulled over for a speeding ticket - and you're like, "Hey man, I didn't speed!" and they were like, "Yes you did!" You know, we've had problems. But hey, it's life. It is gonna happen. If you are the type of person that likes to party, likes to go out, and likes to take a couple of risks - then you're gonna get into some trouble.

...and that's all a part of growing up.

If you're not the type of person who goes out, then you can just stay in your house. But a lot of times, you can't escape that. Even if you're in your house all day, minding your own business, something can happen or something can occur. Somebody can drive up and racial profile you, or somebody could...you never know.

That's right.

But it's all good though.

Juicy J, I heard that you guys have three movies coming up. Can you tell me about the one that's been most interesting to work on? I know you have The Return Of Big Pat coming up, Hollyhood The Movie, and Streets Of Memphis.

I think Streets Of Memphis is the main movie that we are really interested in trying to finish. A lot of big directors in California read the script, and they were like, "Wow, this is actually pretty good - you guys could maybe do something with this." So I thought that was very inspirational! I heard that from John Singleton. And some other big directors in California, they was like, "Man, this script is nice...this could really be something." And I was shocked. We do independent movies, so when you do independent movies, you're just thinking - it's gonna be another independent movie. But for somebody who is a big director or a big producer to tell you that.

Can you tell us a little bit about the role you play in that movie?

You know with Streets Of Memphis, I haven't really picked a role I wanna play yet. I don't know yet. I'm still trying to decide. I don't really wanna be the main character because I don't think I'm an actor like that. I just do these movies for my fans, and I do what I can do. We just want this movie to be good. You put yourself out there, so we are gonna try to get some big name actors, ya know. Somebody that can act - that can really act. We gonna be in it as well, but I don't know yet what role I'll play.

Would you say the script is really a reflection of how Memphis is? Or is it different?

Yeah, yeah - it's just like how Memphis is. Man, it goes down just like that.

This is the final question, and then you'll go get something to eat. So if you could start over and do one thing differently in your life or in your career, what would it be?

[Pause] That's a good question. That is a good question. I probably wouldn't have drank so much. [Laughs] Ya know what I'm saying - I probably woulda done less drinking. I think that's probably one of the reasons why I can't move around like I used to on stage.

That's funny. Well you did have fun.

Yeah.

Well it was great meeting you.

Same to you and you can go on Twitter and find me or DJ Paul, and our website is triplesix.com.

Ok.

And it's going down!

Ghostface Killah - Ghostdini: The Wizard Of Poetry [New Album 2009!]






Ghostface Killah comes back the only way he knows how - flamboyant, loud and flashy - all while attaining the opposite sex with the most charismatic lyrical fanfare possible. On The Wizard Of Poetry, Ghostface has taken on the route of incorporating R&B into most of his tracks. This is a smart way of crooning the ladies even more.

Something that is typical on most solo albums of members of Wu-Tang is a lot of featured spots. Ghostface has decided to fuse most of his tracks with serenades and his Staten Island swag to make this release noteworthy.

On Baby, Ghostface and Raheem DeVaughn take off with Auto Tune, talks of maintaining friendships and talks of the potential futures of the children to come. As DeVaughn holds down the chores, Ghostface smooth talks the ladies by mentioning their good cooking and referring to them as strawberry shortcake.

Paragraphs Of Love featuring Estelle demonstrates Ghostface excellent ability of storytelling and detail. The account of meeting this love for the first time sheds Ghostface's toughness and shows a softer side. Mentioning the details of her hair, toes and the way the sunlight reflects off her face truly indicates love at first sight.

The only downfall to Ghostface's detail comes in the form of Stapleton Sex, a graphic sexual affair that talks about inserting members into drenched feline compartments, altering the speed of intercourse and dressing up in a nurse outfit. It has a good beat at least.

Ghostface has created yet another good piece of work. Production that includes 70's soul, DJ chants and a New York feel to it, this is another great installment for the Wu-Tang Clan.

Sha Stimuli - My Soul To Keep [New Album 2009!]



Those familiar with the NY underground hip-hop scene over the last decade are very familiar with the name Sha Stimuli. The Source's Unsigned Hype alum has been widely regarded as "next up" by fans and insiders alike. Unfortunately, in the game of hip-hop, anticipation can soon turn to disappointment and industry politics seemed to have put a once promising career in jeopardy. It is said that the true mark of a man can be seen in how he responds when his back is against the wall and Sha Stimuli has responded with his long awaited debut album My Soul To Keep.

The intro sets the tone right into the first track Hang On, produced by Sha's brother Lord Digga (Masta Ace, Notorious B.I.G). This track is cleverly arranged from the Donny Hathaway sample to the voice modulation on Sha's voice on the opening bars which depicts him growing from a child to a man. The icing on the cake comes in the last verse when Sha channels his inner Yota spitting, "So hot album is/ Many records Sha sold/ Metaphors, deep shit, many flows he has..." On Blasphemy, Sha has a conversation on record that many of us have had in private but wouldn't dare expose. Anytime you question or take the creator's name in vain it will raise eyebrows but within the concept of the song and album (yes the entire album has a concept) it is perfectly executed. Move Back is a vintage Just Blaze banger featuring Freeway and a brief cameo from Young Chris. The Smelly Cat Song will have the streets buzzing for a long time and is an ode to a malodorous young lady. Besides being a PSA for feminine hygiene it reflects the spirit of Slick Rick, Ghostface, Biggie and some of the great story tellers in hip-hop. Other standouts include Do It For The Doe, I Wish I Was U, Good Day and I Believe. In fact, there really are no fillers on this album. Nothing is contrived or forced which is very refreshing.

If you are a fan of lyricism and genuine music, My Soul To Keep is the project you have been waiting for. I salute Sha for creating something from his heart instead of his brain. There's no question that this was the album that he wanted to do regardless of the pressures of today's hip-hop landscape and the need to make club bangers and radio hits. It's a throwback to the days of Marvin Gaye and Stevie Wonder when artists, regardless of their status, took one theme and addressed it throughout a project from multiple angles. Hopefully, this will not fall on deaf ears and Sha Stimuli can find a lane in this crowded industry.