JOHANNESBURG, South Africa—Miriam Makeba, the South African singer who wooed the world with her sultry voice but was banned from her own country for 30 years under apartheid, died early Monday after a concert in Italy. She was 76.

The Pineta Grande Clinic, a private clinic near the southern city of Naples, said the singer died after being brought there. The ANSA news agency reported that Makeba apparently suffered a heart attack after performing for 30 minutes at a concert against organized crime.

The death of "Mama Afrika," as she was known, plunged South Africa into shock and mourning.

"One of the greatest songstresses of our time has ceased to sing," Foreign Affairs minister Nkosazana Dlamini Zuma said in a statement.

"Throughout her life, Mama Makeba communicated a positive message to the world about the struggle of the people of South Africa and the certainty of victory over the dark forces of apartheid and colonialism through the art of song."

Makeba wrote in her 1987 memoirs that friends and relatives who first encouraged her to perform compared her voice to that of a nightingale. With her distinctive style combining jazz with folk with South African township rhythms, she was often called "The Empress of African Song."

She first started singing in Sophiatown, a cosmopolitan neighborhood of Johannesburg that was a cultural hotspot in the 1950s before its black residents were forcibly removed by the apartheid government.

She then teamed up with South African jazz trumpeter Hugh Masekela -- later her first husband -- and her rise to international prominence started when she starred in the anti-apartheid documentary "Come Back, Africa" in 1959.

When she tried to fly home for her mother's funeral the following year, she discovered her passport had been revoked. It was 30 years before she was allowed to return.

In 1963, Makeba appeared before the U.N. Special Committee on Apartheid to call for an international boycott of South Africa. The South African government responded by banning her records, including hits like "Pata Pata," "The Click Song" ("Qongqothwane" in Xhosa), and "Malaika."

Makeba received the Grammy Award for Best Folk Recording in 1966 together with Harry Belafonte for "An Evening With Belafonte/Makeba." The album dealt with the political plight of black South Africans under apartheid.

Thanks to her close relationship with Belafonte, she received star status in the United States and performed for President John F. Kennedy at his birthday party in 1962. But she fell briefly out of favor when she married black power activist Stokely Carmichael and moved to Guinea in the late 1960s.

After three decades abroad, Makeba was invited back to South Africa by anti-apartheid icon Nelson Mandela shortly after his release from prison in 1990 as white racist rule crumbled.

"It was like a revival," she said about going home. "My music having been banned for so long, that people still felt the same way about me was too much for me. I just went home and I cried."

She insisted that her songs were not deliberately political.

"I'm not a political singer," she insisted in an interview with Britain's Guardian newspaper earlier this year. "I don't know what the word means. People think I consciously decided to tell the world what was happening in South Africa. No! I was singing about my life, and in South Africa we always sang about what was happening to us -- especially the things that hurt us."

Makeba announced her retirement three years ago, but despite a series of farewell concerts she never stopped performing. When she turned 75 last year, she said she would sing for as long as possible.

Graham Gilfillan, Makeba's longtime business manager, said the family was holding a meeting in South Africa and would release a statement later Monday.

Arts and Culture Ministry spokesman Sandile Memela described Makeba as an international icon.

"It's a monumental loss not only to South African society in general but for humanity," he said.

Tributes poured in on morning radio talk shows, with many callers in tears as they recalled her humor and her unrelenting spirit.

"She had been part of my life for a long time. It is a great loss," singer P.J. Powers told local radio station 702. "She had a huge soul."

------

Associated Press Writer Frances D'Emilio in Rome contributed to this report

Four Tops frontman Levi Stubbs dies at 72
By MIKE HOUSEHOLDER – 3 hours ago

DETROIT (AP) — Four Tops lead singer Levi Stubbs, who possessed one of the most dynamic and emotive voices of all the Motown singers, died Friday at 72. He had been ill recently and died in his sleep at the Detroit house he shared with his wife, said Dana Meah, the wife of a grandson. The Wayne County medical examiner's office also confirmed the death.

With Stubbs in the lead, the Four Tops sold millions of records, including such hits as "Baby I Need Your Loving," "Reach Out (I'll Be There)" and "I Can't Help Myself (Sugar Pie, Honey Bunch)."

The group performed for more than four decades without a change in personnel. Stubbs' death leaves one surviving member of the original group: Abdul "Duke" Fakir.

Stubbs "fits right up there with all the icons of Motown," said Audley Smith, chief operating officer of the Motown Historical Museum. "His voice was as unique as Marvin's or as Smokey's or as Stevie's."

The Four Tops began singing together in 1953 under the group name the Four Aims and signed a deal with Chess Records. They later changed their names to the Four Tops to avoid being confused with the Ames Brothers.

They also recorded for Red Top, Riverside and Columbia Records and toured supper clubs.

The Four Tops signed with Motown Records in 1963 and produced 20 Top-40 hits over the next 10 years, making music history with the other acts in Berry Gordy's Motown stable.

Their biggest hits were recorded between 1964 and 1967 with the in-house songwriting and production team of Brian Holland, Lamont Dozier and Eddie Holland. Both 1965's "I Can't Help Myself" and 1966's "Reach Out" went to No. 1 on the Billboard pop chart.

Other hits included "Shake Me, Wake Me" (1966); "Bernadette" and "Standing in the Shadows of Love" (both 1967).

They toured for decades afterward and reached the charts as late as 1988 with "Indestructible" on Arista Records. In 1986, Stubbs provided the voice for Audrey II the man-eating plant in the film "Little Shop of Horrors."

The group was inducted into the Rock and Roll Hall of Fame in 1990 and has a star on the Hollywood Walk of Fame.

Original Top Lawrence Payton died of liver cancer in 1997. Renaldo "Obie" Benson died of lung cancer in 2005.

Stubbs was born in 1936 in Detroit and attended Pershing High School, where he sang with Fakir. They met fellow Detroiters Payton and Benson while singing at a mutual friend's birthday party, then decided to form a group.

"These are four of the greatest people I have ever known. They were major pros even before they came to Motown," Gordy said when the Four Tops' star was unveiled in Hollywood.

Stubbs is survived by his wife, five children and 11 grandchildren.

Associated Press writer Jim Irwin contributed to this report.

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DO NOT GO GENTLE INTO THAT GOOD NIGHT


Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.




Dylan Thomas