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Confetta Percocetta Listening to 'Dry Bones (Head Bone Connected To The Neck Bone)'
blog post cleveland c. 1963
Posted in POETRY on May 09, 2008 at 11:08 PM



d.a.levy sitting, kent taylor standing on the right.


blog post LEE MORSE IN APRIL...
Posted in POETRY on Apr 27, 2008 at 4:31 AM
Lee Morse
LEE IN APRIL


In The Middle Of The Night
(Donaldson / Rose) 4-20-1926
New York, New York
Pathé Actuelle
25172
Perfect
11616

In The White Church On The Hill
4-11-1933 New York, New York
Bluebird
B-5044

I've Got To Sing A Torch Song
(From "Gold Diggers of 1933")
(Harry Warren / Al Dubin)
4-11-1933 New York, New York Bluebird
B-5052-B



Pettin' In The Park
(From "Gold Diggers of 1933")
(Harry Warren / Al Dubin)
4-11-1933 New York, New York Bluebird
B-5052-A


What Is Love All About?
(Lee Morse) 4-20-1925
New York, New York Pathé Actuelle
25182
Perfect
11616

While The Rest Of The World Is Sleeping
4-11-1933 New York, New York Bluebird
B-5044


Lee Morse and her Bluegrass Boys

Could I? I Certainly Could
(Jack Yellen / Milton Ager) 4-20-1926
New York, New York Pathé Actuelle
25182
Perfect
11616
http://www.redhotjazz.com/songs/morse/couldi.ram


Lawd, You Made The Night Too Long
(Lewis / Young) 4-28-1932
New York, New York Columbia
2650-D


Those Daisy Days
(Lee Morse) 4-1925
New York, New York
Pathé Actuelle
25140 B
Perfect
025140
http://www.redhotjazz.com/songs/morse/thosedaisydays.ram


When Lights Are Soft And Low
4-28-1932 New York, New York Columbia
2650-D
http://www.redhotjazz.com/songs/morse/whenthelights.ram





blog post LEE MORSE IN MARCH...
Posted in POETRY on Mar 09, 2008 at 9:30 PM
Current Mood: sad
SONGS

LEE MORSE


RECORDED/RELEASED


IN MARCH...

Image
A Miss In Mississippi
(Lee Morse)
3-24-1925
New York, New York

Alone At Last
(Gus Kahn / Ted Fiorito)
10-7-1924
New York, New York

Careless Love
3-2-1938
New York, New York

Don't Try To Cry Your Way Back To Me
3-24-1925
New York, New York

I'd Love To Be In Love
(Lee Morse)
3-16-1927
New York, New York

My Idea Of Heaven
(Is To Be In Love With You)
(Johnson / Sherman / Tobias)
3-16-1927
New York, New York

Shadows On The Wall
(Lee Morse)
3-24-1925
New York, New York

Shadows On The Wall
(Lee Morse)
3-2-1938
New York, New York

Side By Side
(Harry Woods)
3-16-1927
New York, New York

Sing Me A Song Of Texas
(Lee Morse)
3-2-1938
New York, New York

Thanks For The Buggy Ride
(Jules Buffano)
3-1926
New York, New York

When I Lost You
(Irving Berlin)
3-2-1938
New York, New York

Lee Morse and her Bluegrass Boys

By My Side
(Link / Gray / Lown / Dick)
3-27-1931
New York, New York

Cooking Breakfast For The One I Love
Talkie Hit from United Artists Production "Be Yourself!"
(Billy Rose / Henry Tobias)
3-27-1930
New York, New York

I'll Make You Fall In Love With Me
(Lee Morse)
3-1926
New York, New York

June Brought Roses
(Stanley / Openshaw)
3-31-1925
New York, New York

Sing You Sinners
(Talkie Hit from Paramount Picture's Lasky Production "Honey")
(Sam Coslow / Franke E. Harling)
3-27-1930
New York, New York

The Tune That Never Grows Old
(Lee Morse)
3-27-1931
New York, New York

Where The Wild, Wild Flowers Grow
3-16-1927
New York, New York


Lee Morse and her Southern Serenaders

Ain't He Sweet?
(Jack Yellen / Milton Ager)
3-17-1927
New York, New York

I Hate To Say Goodbye
(Lee Morse)
3-17-1927
New York, New York

Mollie Make Up Your Mind
(Lee Morse)
3-17-1927
New York, New York

(What Do I Care What)
Somebody Said?
(Clare / Wood)
3-17-1927
New York, New York



blog post LEE MORSE IN FEBRUARY...
Posted in POETRY on Feb 24, 2008 at 9:25 PM
Current Mood: fabulous
SONGS LEE MORSE


RECORDED/RELEASED

IN THE MONTH OF FEBRUARY



LEE MORSE



In Old Madrid

2-13-1925

New York, New York



Juanita

2-13-1925

New York, New York



Me Neenyah (My Little One)

(Brown / Spencer)

2-1925

New York, New York


www.redhotjazz.com/songs/mo...enyah.ram




LEE MORSE & HER BLUEGRASS BOYS



I'm Following You

Talkie Hit from Motion Picture "It's A Great Life"

(Dreyer / Macdonald)

2-27-1930

New York, New York

www.redhotjazz.com/songs/mo...ngyou.ram


I've Got Five Dollars

(Rodgers / Hart) 2-20-1931


New York, New York

www.redhotjazz.com/songs/mo...llars.ram


Poor Papa (He's Got Nothing At All)

(Billy Rose / Harry Woods)

2-16-1926

New York, New York

www.redhotjazz.com/songs/mo...rpapa.ram




'Tain't No Sin (To Take Off Your Skin, and Dance Around In Your Bones)

(Donaldson / Leslie)

2-27-1930

New York, New York

www.redhotjazz.com/songs/mo...dance.ram





Tentin' Down To Tennessee

(Howard / Woods)

2-16-1926

New York, New York

www.redhotjazz.com/songs/mo...ownto.ram


Walkin' My Baby Back Home

(Fred Ahert / Roy Turk)

2-20-1931

New York, New York

www.redhotjazz.com/songs/mo...khome.ram




Lee Morse and her Southern Serenaders



In Old Madrid

2-13-1925


New York, New York



Juanita

2-13-1925

New York, New York



Me Neenyah (My Little One)

(Brown / Spencer)

2-1925

New York, New York

www.redhotjazz.com/songs/mo...enyah.ram


blog post SPOTLIGHT for JANUARY 8TH...
Posted in POETRY on Jan 08, 2008 at 8:58 PM
Spotlight for January 08, 2008
Happy Birthday Elvis!

BIRTHDAYS


1937
Shirley Bassey
Pops Vocalist
b. Cardiff, Wales, UK.
A fine vocalist whose first fame came as a result of her singing the background music "Goldfinger", - theme song of 'James Bond - 007' picture. (Film also brought actor Sean Connery his fame.)
DIVAS BIO:
www.divasthesite.com/Singing...ssey.htm

1947
David Bowie
R&R singer/songwriter
b. Brixton, England.

David Bowie (born David Robert Jones on January 8, 1947 in London) is an English rock musician and actor.
en.wikipedia.org/wiki/David_Bowie
www.davidbowie.com/
www.bowiewonderworld.com/

http://www.discobel.com/images/little_anthony_500_510%5B1%5D.jpg
1941
"Little Anthony" Gourdine
Doo Wop/R&B Vocals
b: New York (Brooklyn), NY, USA.
né: Jerome Anthony Gourdine.
"Little Anthony" came from a musical family. His mother, with her sisters, sang gospel. The name of the group was the Nazareth Baptist singers. and his father played saxophone (tenor, alto). He performed with the Sinclair Orchestra and the Buddy Johnson Orchestra. 'Little Anthony's' three brothers were also involved in music. He is now best recalled as the lead vocalist with "Little Anthony and the Imperials." When 'The Duponts' disbanded, "Little Anthony" and his friends Clarence Collins, Ernest Wright, Tracy Lord and Nat Rogers, formed "The Chesters," but a popular New York disc jockey (Alan Freed) induced them to change the name to 'The Imperials'. In 1964, they scaled down to a quartet, and the sound changed from doo wop to a harder, more uptown R&B sound. Between 1958 and 1974, they had a total of ten entries in the "Hot 100" chart. Happily, the group is still touring.

1903
Edwin (Eddie) Grosso
reeds/flute/electric steel guitar/violin
(and many novelty instruments)
b. New York, NY, USA.
d. July 7, 1971, Mew York, NY, USA.
In the 1920s, Eddie Grosso went to Europe with the Alex Hyde Orchestra. Upon returning to the USA, he worked with "Fred Hall's Sugar Babies". In the mid-1930s, he played with Russ Morgan Orch , and he also played saxophone and clarinet with the George Olsen Orch. . One of his proudest recordings was the steel guitar solo he did with Russ Morgan's recording of "Blue Hawaii." He left Morgan in 1940 to play with the Korn Kobblers. ( Some information on the Kobblers may had seen in our Freddie Fisher and the Schnicklefritzers, entry.

The Kobblers were a novelty band that was broadcast live from 'Rogers Corner', a huge nightclub in New York city, at 50th St. and Broadway. The band also played at Jack Dempsey's Restaurant (in New York) for many years. It also had one of the first TV shows, broadcast live from the New York CBS studio in Grand Central Palace (The University of Wisconsin has a music museum that has much of the memorabilia from the Korn Kobblers). He also was with a radio band "The Rex Cole Mountaineers." It was live on Sunday mornings on New York's radio station WEAF (NBC). (Naturally, Rex Cole of Long Island City, NY. sponsored the show). Eddie Grosso played with a lot of famous musicians doing studio and commercial work (they all did it before they had their bands). Grosso, not wanting to travel, found that he could make a very good living in recording studios. As he grew older, he worked with the New York based 'society' bands of Lester Lanin , and Meyer Davis . Later, he did a lot of advertising commercials and staff work at the radio (and later TV) networks.

1900
"Fiddlin' Joe" Martin, violin
b. Edwards, MS, USA.
Worked with Son House, and others


The image “http://tntnt.com/webring/elvis/elvis13fair.jpg” cannot be displayed, because it contains errors.
1935
Elvis Aron Presley
vocals/guitar
b. Tupelo, MS, USA.
d. Aug. 16, 1977, Memphis, TN, USA.
né: Elvis Aron Presley.
Immensely popular rock and roll singer whose singing style and stage presentation changed the shape and direction of American popular culture. Also known as "The King of Rock 'n' Roll" and "Elvis the Pelvis".
http://img.timeinc.net/time/daily/2007/0708/elvis_presley_dead_0815.jpg
Rolling Stone magazine claimed "Elvis Presley is rock 'n' roll" and called his body of work "acres of perfect material." During an active recording career that spanned more than two decades, Presley set and broke many records for both concert attendance and sales. Since then, those records have only been matched and/or broken by the likes of The Beatles, Michael Jackson and Mariah Carey. Presley had more than 100 singles in the US top 40 and 17 went to number one. He has reportedly sold an estimated one billion records to date.
to continue bio go to the 1st link:
en.wikipedia.org/wiki/Elvis_Presley
www.elvis.com/
www.imdb.com/name/nm0000062/
AND the FBI Freedom of INformation ACt files on Elvis:
www.foia.fbi.gov/foiaindex/presley.htm

The image “http://www.jessedeanefreeman.com/tampared.JPG” cannot be displayed, because it contains errors.
1904
"Tampa Red", (Blues)
Guitar/vocals/kazoo/songwriter
b: Smithville, GA, USA.
d: March 19, 1981, Chicago, IL, USA.
~Biography by Barry Lee Pearson
Out of the dozens of fine slide guitarists who recorded blues, only a handful -- Elmore James, Muddy Waters, and Robert Johnson, for example -- left a clear imprint on tradition by creating a recognizable and widely imitated instrumental style. Tampa Red was another influential musical model. During his heyday in the '20s and '30s, he was billed as "The Guitar Wizard," and his stunning slide work on steel National or electric guitar shows why he earned the title. His 30-year recording career produced hundreds of sides: hokum, pop, and jive, but mostly blues (including classic compositions "Anna Lou Blues," "Black Angel Blues," "Crying Won't Help You," "It Hurts Me Too," and "Love Her with a Feeling"). Early in Red's career, he teamed up with pianist, songwriter, and latter-day gospel composer Georgia Tom Dorsey, collaborating on double entendre classics like "Tight Like That."

Listeners who only know Tampa Red's hokum material are missing the deeper side of one of the mainstays of Chicago blues. His peers included Big Bill Broonzy, with whom he shared a special friendship. Members of Lester Melrose's musical mafia and drinking buddies, they once managed to sleep through both games of a Chicago White Sox doubleheader. Eventually alcohol caught up with Red, and he blamed his latter-day health problems on an inability to refuse a drink.

During Red's prime, his musical venues ran the gamut of blues institutions: down-home jukes, the streets, the vaudeville theater circuit, and the Chicago club scene. Due to his polish and theater experience, he is often described as a city musician or urban artist in contrast to many of his more limited musical contemporaries. Furthermore, his house served as the blues community's rehearsal hall and an informal booking agency. According to the testimony of Broonzy and Big Joe Williams, Red cared for other musicians by offering them a meal and a place to stay and generally easing their transition from country to city life.

Today's listener will enjoy Tampa Red's expressive vocals and perhaps be taken aback by his kazoo solos. His songwriting has stood the test of time, and any serious slide guitar student had better be familiar with Red's guitar wizardry.


Notable Events
on this date include:

1973.
"Archibald" (né: Leon T. Gross), piano
died in New Orleans, LA, USA.
Age: 60

1979.
Sara Carter Bayes
Guitar/Autoharp/Vocals with the "Carter Family"
died in Lodi, CA, USA. Age: 79

1984.
Walter F. Bishop, songwriter
died in New York, NY, USA.
Age: 78.
Worked with Louis Jordan

Songs Recorded/Released
on this date include:

1924
“Do-Doodle-Oom”
(Fletcher Henderson / Porter Grainger)
- Piron's New Orleans Orchestra
www.redhotjazz.com/songs/pi...leoom.ram

1924
“Old-Fashioned Love”
(from the Musical Comedy "Runnin' Wild"),
(Cecil Mack / James.P.Johnson )
- Sissle and Blake
www.redhotjazz.com/songs/si...dlove.ram

1924
“Frosty Morining Blues”
(Eddie Brown)
- Bessie Smith
www.redhotjazz.com/songs/be...blues.ram

1925
“Done Made a Fool Out Of Me”
(Tom Delaney)
- Margaret Johnson accompanied by Clarence Williams' Blue Five
LISTEN:
www.redhotjazz.com/songs/Ma...tOfMe.ram

1925
“If You Only Knowed”
(Porter Grainger)
- Clara Smith
www.redhotjazz.com/Songs/cl...uonly.ram

1926
“Don't Want It At All”
Alberta Hunter
www.redhotjazz.com/songs/hu...itall.ram

1926
“Just Around The Corner” (May Be Sunshine For You)
(Harry Von Tilzer / Dolph Singer)
-Art Landry and His Orchestra
www.redhotjazz.com/Songs/la...round.ram

1929
“You Lose”
(Emmett Miller)
- Emmett Miller accompanied by his Georgia Crackers
www.redhotjazz.com/songs/Em...ulose.ram

1929
“Doin' The Voom Voom”
(Bubber Miley /Duke Ellington )
- Duke Ellington and his Cotton Club Orchestra
www.redhotjazz.com/songs/el...nvoom.ram

1936
“I'm Gonna Sit Right Down And Write Myself A Letter”
(Joe E. Young / Fred E. Ahlert)
- Red Mckenzie and his Mound City Blue Blowers
www.redhotjazz.com/songs/mo...nasit.ram

1955
Melody Of Love
- David Carroll

1955
Sincerely
- McGuire Sisters

LYRICS:

I'm Going to Sit Right Down and Write Myself a Letter
~Lyrics by Joe Young
~Music by Fred E. Ahlert

I'm gonna sit right down and write myself a letter
And make believe it came from you

I'm gonna write words, oh, so sweet
They're gonna knock me off my feet,
A lotta kisses on the bottom,
I'll be glad I got 'em

I'm gonna smile and say:
"Gee, I hope you're feeling better."
And close "with love" the way you .
I'm gonna sit right down and write myself a letter
And make believe it came,
(Make believe)
I'm gonna make believe it came from you.


blog post HAPPY BIRTHDAY AL BOWLLY!!
Posted in POETRY on Jan 07, 2008 at 3:30 AM
Current Mood: happy
HAPPY BIRTHDAY AL BOWLLY...


Albert Allick 'Al' Bowlly
www.squidoo.com/bowlly
(January 7, 1890/1899(?)-April 17, 1941) was a popular singer in the United Kingdom during the 1930s, making more than 1,000 recordings between 1927 and 1941. Bowlly was born in Mozambique to Greek and Lebanese parents who met en route to Australia and moved to South Africa. He was brought up in Johannesburg, South Africa. He was killed by the explosion of a parachute mine outside his apartment in London during the Blitz.
The image “http://durium.opweb.nl/images/duriumgb1/bowlly.jpg” cannot be displayed, because it contains errors.
Early life and career -
Bowlly showcased a range of material unsurpassed by any contemporary other than perhaps Bing Crosby. He was also a true international recording artist. After a series of odd jobs across Europe in his youth, he gained his musical experience singing for a dance band led by Jimmy Liquime on a tour of India and Singapore during the mid-1920s. However, he fell out with Liquime and was fired whilst the band was still in India. Bowlly had to work his passage back home, through busking. Just one year after his 1927 debut recording date in Berlin, Bowlly arrived in London for the first time as part of Fred Elizalde's orchestra. That year, "If I Had You" became one of the first popular songs by an English jazz band to become well known in America as well, and Bowlly had gone out on his own by the beginning of the 1930s. First, however, the onset of the Great Depression in 1929 resulted in Bowlly being made redundant and returning to several months of busking to survive.

The image “http://s121.photobucket.com/albums/o238/r2ok/mega.gif” cannot be displayed, because it contains errors.
Early stardom -
In the 1930s, he was to sign two contracts which were to change his fortunes - one in May 1931 with Roy Fox, singing in his live band for the Monseigneur Restaurant in London, the other a record contract with Ray Noble's orchestra in November 1930. During the next four years, he recorded over 500 songs. He also found time to occasionally record with other orchestras such as Lew Stone's ; however, he was inundated with demands in this period, and made the bulk of his recordings with Noble. There was considerable competition between Noble and Fox for Bowlly's time, as for much of the year, Bowlly would spend all day in the recording studio with Noble's band, rehearsing and recording, only to then spend the evening playing live at the Monseigneur with Fox's band. A visit to New York in 1934 with Noble resulted in more success and their recordings first achieved popularity in the USA; he appeared at the head of an orchestra hand-picked for him and Noble by Glenn Miller (the band included Claude Thornhill, Charlie Spivak, and Bud Freeman, among others).

During the early-mid 1930s, such songs as "Blue Moon", "Easy to Love", "I've Got You Under My Skin", and "My Melancholy Baby" were sizable American successes — so much so that Bowlly gained his own radio series on NBC and travelled to Hollywood to co-star in The Big Broadcast in 1936, which also starred one of his biggest competitors, Bing Crosby. Al Bowlly often worked with Ray Noble and His Orchestra.

In December 1931, Bowlly had married Freda Roberts, but the marriage proved a disaster, with Bowlly discovering his new wife in bed with another man on their wedding night. The couple separated after two weeks, and sought a rapid divorce. He remarried in December 1934, this time to Marjie Fairless, the marriage lasting until his death.

Move to the United States and return to Britain -
Despite Bowlly's stellar success in Britain through the early 1930s, he never achieved the same measure of fame in the USA, and his absence from the UK when he moved to the States in 1934 damaged his popularity with UK audiences. His career also began to suffer as a result of problems with his voice from around 1936, which affected the frequency of his recordings. He and Marjie moved back to London in January 1937, with Bowlly appearing with his own band, the Radio City Rhythm Makers, but they had dissolved by late 1937 when his vocal problems were traced to a wart on the inside of his throat, which briefly caused him to lose his voice entirely. He flew back to the USA to successfully undergo major throat surgery for its removal, but had further difficulties with his voice late in his career.

With his success in Britain a shadow of its former self, he toured regional theatres and recorded furiously to make a living, moving from orchestra to orchestra, including those of Sydney Lipton, Geraldo, and Ken Johnson. He underwent a brief revival from 1940, as part of a double act with Jimmy Messene (whose career had also suffered a recent downturn), with an act called Radio Stars with Two Guitars, performing on the London stage. It was his last venture before his death in April 1941. The partnership was an uneasy one, as Messene suffered from a serious drinking problem by this stage, and was known to turn up incapable on stage, or not to turn up at all, much to Bowlly's consternation. Bowlly's last recorded song, made two weeks before his death, was a duet with Messene of Irving Berlin's satirical song on Hitler, "When That Man is Dead and Gone".

Death -
The evening of April 16, 1941, Bowlly and Messene gave what was to be Al's last performance in High Wycombe. In the early hours of the following morning, April 17, 1941, Bowlly was in his flat on Jermyn Street when he was killed by a German Luftwaffe parachute mine which exploded outside his apartment. Bowlly's body appeared unmarked - the blast had not harmed him, but it had sent his bedroom door off its hinges and the impact against his head proved fatal.

Some speculation surrounds his age at the time of his death. Bowlly claimed at the time of his death that he was born in 1899, making him forty-two, but his death certificate gives his age as forty-three, and several contemporaries claimed that the perpetually boyish-faced singer was born as early as 1890. As no birth certificate exists, and much of his early years in South Africa remain shrouded in mystery, his actual age may remain unknown. Al was buried with other bombing victims in a mass grave at the Westminster Cemetery, Uxbridge Road, Hanwell, London, where his name is spelt Albert Alex (sic) Bowlly. In 1986, British singer/songwriter/guitarist Richard Thompson paid tribute on his album Daring Adventures with the song "Al Bowlly's in Heaven".

Bowlly remains one of the most highly regarded singers of his era because of his extraordinary range, his command of pitch and rhythm, and above all, the sincerity with which he could deliver a lyric.
" "Isle of Capri" Partial discography "Time on My Hands" February 19, 1931 "Goodnight, Sweetheart" February 19, 1931 "Guilty" December 2, 1931 "Lullaby of the Leaves" June 10, 1932 "Looking on the Bright Side of Life" September 1, 1932Love Is the Sweetest Thing" September 8, 1932 "What More Can I Ask?" December 23, 1932 "Hustlin' and Bustlin' for Baby" March 16, 1933 "Midnight, the Stars, and You" February 16, 1934 "The Very Thought of You" April 21, 1934August 30, 1934 "Dinner for One Please, James" November 14, 1935 "You Couldn't Be Cuter" August 12, 1938 "It's a Lovely Day Tomorrow" February 15, 1940
http://limelight-884.static.dailymotion.com/dyn/preview/160x120/2659884.jpg
References -

* Sid Colin and Tony Staveacre, Al Bowlly (H. Hamilton, 1979)
* Ray Pallett, Good-Night, Sweetheart: Life and Times of Al Bowlly (Spellmount, 1986)

AL BOWLY on YouTube:

Al Bowlly "The Very Thought of You"
http://www.youtube.com/watch?v=cDYrXcQj4JI&feature=related

Al Bowlly "Melancholy Baby"
http://www.youtube.com/watch?v=6-ZHpkJfRpM


blog post SPOTLIGHT for DECEMBER 14TH...
Posted in POETRY on Dec 14, 2007 at 4:50 AM
Spotlight for December 14th, 2007






The image “http://www.cmt.com/sitewide/assets/img/artists/bailey_deford/defordbailey01-426x135.jpg” cannot be displayed, because it contains errors.






DeFord Bailey

BIRTHDAYS


1908
Morey Amsterdam
Cellist/actor/composer
b. Chicago, IL, USA
d. Oct. 27, 1996, Beverly Hills, CA, USA. (Heart Attack).

In the mid-40s, he adapted a Calypso tune and added his own lyric.
The
tune became a huge hit for the Andrews Sisters - "Rum and Coca Cola".

http://media.npr.org/programs/wesat/features/2005/nov/deford200.jpg
1899
DeFord Bailey
C&W vocals/guitar
b. Smith County, TN, USA.
d. July 2, 1982.
A pioneer member 'Grand Ole Opry'.
The image “http://www.npr.org/programs/lnfsound/images/001124.deford.whitepants.jpg” cannot be displayed, because it contains errors.
AAR BIO:
www.aaregistry.com/african_...Opry_Icon
Country Music Hall of Fame Bio:
www.countrymusichalloffame.com/si...spx
NR Bio & Sound Files:
www.npr.org/programs/lnf...4.bailey.html

1913
Theodore 'Ted' Guy Buckner
soprano-/Alto Sax
b. St. Louis, MO, USA.
d. April 12, 1976.
He is the brother of pianist Milt Buckner

1917
Martha Davis
Piano/vocals
b. Wichita, KS, USA
WIKI Bio:
en.wikipedia.org/wiki/Mart...s_(singer)

1911
Charles "Chuck" Gentry
Baritone Sax
b. Belgrade, Nevada, USA

Although he started out as a clarinetist, it was on much lower-pitched
horns that Chuck Gentry made his bread and butter. Gentry is one of the
rare jazz gentry whose name shows up in credits complete with a
military ranking--he was a seargent in the unit that made up Glenn
Miller's Air Force Band from 1943 through 1944. At that time Gentry had
been a professional musician for about a decade, beginning when he was
hired for bandleader Ken Baker's Los Angeles outfit. Prior to that he
had played clarinet in the school band in Sterling, Colorado and had
kept up his musical interests throughout an initial career stab at
becoming a teacher.

By the late '30s blackboards were the
last this on his mind as he began checking out both baritone and bass
sax parts in the reed section of the Vido Musso ensemble. From here he
went to even bigger bands, Harry James for two years beginning in 1940,
Benny Goodman for about a fourth that amount of time beginning in the
summer of 1941 and then Jimmy Dorsey until Uncle Sam demanded a change
of procedure. After the war he was busy with Artie Shaw, Jan Savitt and
then another short stint with Goodman. From about 1947 Gentry began to
work more and more in the studios, eventually becoming almost a part of
the scenery in certain Los Angeles recording factories. Much of the pop
material he appeared on is high quality, including Dean Martin and
Frank Sinatra sides. He should not be confused with the guitarist of
the same name.
~ Eugene Chadbourne

1898
Frederick Douglass Hall
afro-American composer
b. Atlanta, GA, USA.
d. December 28, 1982

Frederick Hall received a B.A. from Morehouse College, a Teachers
Diploma and M.M. from Chicago Musical College, an M.A. and Ed. D. from
Columbia University. He did additional study at Julliard School of
Music, Royal College of Music (London), English School of Chuch Music,
and several others. He was presented an honorary Doctorate from Rust
College in Mississippi. Hall was the chairmand of the music departments
at Jackson College (MS), Dillard University (LA), Alabama State
Teachers College, and Clark College (Atlanta). He did research in Afro
- American music and West African music. His compositions and
arrangements include: "Deliverance," an oratorio; "Afro - American
Religious Work Songs: A Cycle;" and six volumes of arrangements for
mixed, male, and female voices.
~ Perkins Holly, Ellistine. Biographies of Black Composers and Songwriters

1910
Budd Johnson
All Reeds/piano/vocal arranger/composer
b. Dallas, TX, USA. d. Oct. 20, 1984. né: Albert J. Johnson.

Taught music by Booker T. Washington's daughter. In 1924, he was
touring as a drummer, and took up the sax about 2 years later. In 1927,
was working w/George E. Lee Combo in Chicago, IL. Then had own combo
with Teddy Wilson until they joined Louis Armstrong in 1933. From
Sept.1939 - Dec.'42, worked on and off with Earl Hines Orch. His role
in "Bop" is rather unique. In the 1940's, there were just 5 "Big Bands"
(all Black) involved with the then new "Rebop" sound.
During the
1942-'44 period, Earl Hines and Boyd Raeburn took up the sound. Then
during 1944-'45, both the Woody Herman and Billy Eckstine bands, and
sometime in late '45, Dizzy Gillespie. A common thread linked all these
5 bands - Budd Johnson. He had played sax, or written for all of them
(possibly with the exception of Boyd Raeburn). He had previously (1944)
organized the very first 'bop' recording date (for Gillespie). While he
is little known today, he was one of the seminal figures in promoting
'Rebop'. In the '50s, he played with Cab Calloway and J. C. Heard.

In 1952, he was with Snub Mosely's band touring England on a USO
sponsored unit. During 1956-7, he wrote and played for the Benny
Goodman band, then working in New York's swank Waldorf-Astoria Hotel
and even toured Asia with Benny's band.
WIKI Bio:
en.wikipedia.org/wiki/Budd_Johnson

1911
"Spike" Jones
Drums/Leader
b. Long Beach, CA, USA
d. May 1, 1965, Beverly Hills, CA, USA. (Emphysema).
né: Lindley Armstrong Jones. Leader 'The City Slickers' band.

http://photos17.flickr.com/21486761_4d84ee2f3e_o.jpg
1932
Abbe Lane, vocalist.
b. Brooklyn, NY, USA.
née: Frances Lassman.
Best recalled as wife (#4 1952-'64, divorced) and singer
with Xavier Cugat.
The image “http://photos17.flickr.com/21486763_40117b3921_o.jpg” cannot be displayed, because it contains errors.
WIKI BIO:
en.wikipedia.org/wiki/Abbe_Lane

1891
Lester Melrose
A&R (Bluebird label)
b. Olney, IL, USA

1903
William Owsley, guitar
b. Galesburg, IL, USA

1922
Cecil Payne
Baritone Sax/flute
b. New York (Brooklyn), NY, USA.

1902
Viola Gertrude Wells, Vocals
b. Newark, NJ, USA.
d. Dec. 22, 1984, Belleville, NJ, USA.

aka: 'Miss Rhapsody'. Wells' career began with her first gig at the
Minis Theater in Newark, NJ. In the 1920s, she worked in some traveling
shows, and in the 1930s, she was a member of "Banjo Bernie's Band",
subsequently touring with singer Ida Cox. In the late 1930s, Wells
moved to Kansas City, where she ran a nightclub and led her own band.


In the 1940s, she moved back to Newark and was soon working in various
New York city venues, including appearances at 'Kelly's Stables' on New
York's famed 52nd Street, and at Harlem's Apollo Theatre (occasionally
as 'Viola Underhill'). Out of the public's eye for most of the 1950s
and early 1960s, her career revived in the mid-1960s. In the 1970s, she
toured with trombonist/singer Clyde Bernhardt's band. "Miss Rhapsody"
passed away at age 82.

Notable Events occurring
on this date include:

The image “http://ecx.images-amazon.com/images/I/41MDJFF858L._AA240_.jpg” cannot be displayed, because it contains errors.
1963.
Dinah Washington
vocals/piano
died in Detroit, MI
Age 39.

1966.
Howard Ragsdale
C&W fiddler, died. Age: 62. (b. Feb. 9, 1904).

Played with "The Fruit Jar Drinkers", a band heard on the Grand Ole
Op'ry show, and also backed "Uncle Dave" Macon while he played his
banjo and sang.

1973.
Jesse Rodgers
C&W singer
died. Age: 62.
(cousin of Jimmie Rodgers).

Songs Recorded/Released
on this date include:


1944 Trolley Song, The , - Vaughn Monroe Orch and voc.
1959 Pretty Blue Eyes , - Steve Lawrence voc.
1968 Son-Of-A Preacher Man , - Dusty Springfield


blog post Spotlight for December 13th, 2007
Posted in POETRY on Dec 14, 2007 at 2:02 AM
Spotlight for

December 13th...
The image “http://nfo.net/usa/motenkco.jpg” cannot be displayed, because it contains errors.

BIRTHDAYS...

1931 Sonny Fisher
(Rockabilly) vocals

b. Tyler, TX, USA.
Biography
"The
Wild Man from Texas," rockabilly cat Sonny Fisher recorded a series of
little-heard but incendiary singles for the Starday label during the
mid-1950s, finally winning acclaim from European audiences close to a
quarter century later. Born Therman Fisher on a farm outside Chandler,
Texas on November 13, 1931, he grew up in Tacoma, Washington but
eventually returned to the Houston area--first drawn to music by his
father, an amateur singer and guitarist, the adolescent Fisher also
favored Hank Williams, Roy Acuff and Ernest Tubb.

Fisher
formed his own country band in 1951, assembling fiddler Paul Vaughan,
steel guitarist Red Leonie, bassist Leonard Curry and drummer Darrell
Newsome--with the addition of electric guitarist Joey Long, the group
began incorporating R&B covers into its repertoire, and after
Fisher witnessed Elvis Presley's late 1954 appearance at Houston's
Texas Korral, he steered his music fully in the direction of
rockabilly, sacking Vaughan and Leonie while dubbing the remaining trio
the Rocking Boys.

1915 Jack Guthrie, singer/songwriter
b. Olive, OK, USA. Woody Guthrie's cousin.

1928 Hampton Hawes, Piano
b. Los Angeles, CA, USA. d. 1977

1927 Dolores Hawkins, vocalist
sang with Gene Krupa. d. 1987

1919 John LaTouche, lyricist/writer
b. Richmond, VA, USA.
d. Aug. 7, 1956, Calais, VT, USA. (Heart Attack).
né: John Treville LaTouche.
Was
the lyricist who worked on the show 1943 "Cabin In The Sky" and the
1946 film "Dreams that Money Can Buy". One of his best remembered songs
is "Taking A Chance On Love".
BIO:
www.babydoe.org/latouche.htm

1900 Gerald Marks, Composer
b. Saginaw, MI, USA. d. Jan. 27, 1997.
Composed "All of Me" and "Is It True What They Say About Dixie".
Self-taught
Pianist who began writing songs in the 1920s for Broadway and later for
Hollywood. He composed "All I Want For Christmas" for Shirley Temple
(1936 film: Stowaway).
nfo.net/cal/tm1.html#GMarks

1894 Howard McFarlane, Trumpet
b. London, England
d. March 6, 1983 London, England, U.K.
In
1919, he was working in 'Pit' bands of London's film theaters. He next
joined Alex Hyde's band, which toured Germany in 1924. While in
Germany, Hyde also recorded (for example: Vox 01622 "Mama Loves Papa,
Papa Loves Mama"). While still on the Continent, Hyde disbanded, and
Howard remained in Germany, where he found work playing and recording
during 1924-'26 with the Bernard Etté Orchestra . During 1926-'27, he
made some hot jazz recordings leading his own small groups. During the
1925-'32 period, he also played with violinist Dajos Béla's orchestra,
and others. In 1933-4, he returned to England where he worked with
trumpeter Jack Jackson band, then rejoined Bela for a 1935-'37 tour to
Argentina. During 1937-'40, he wasagain touring Europe and from 1940 to
1957 (his retirement), he worked as one of the sidemen in the BBC Dance
Orchestra.
The image “http://nfo.net/usa/BennyMoten1.jpg” cannot be displayed, because it contains errors.
1894
Benjamin "Bennie" Moten
Piano/Leader

b. Kansas City, MO, USA. d. April 2, 1935.
This
fine pianist was already leading his own orchestra by 1920, a band that
would serve as a 'launching' platform for many future stars such as
Eddie Durham, "Count" Basie, Jimmy Rushing, Ben Webster, Walter Page,
Lester Young, and Oran "Hot lips" Page, and others. Moten's tragic
death occurred during a tonsilectomy when the surgeon's knife slipped
and severed his jugular vein. After his death, "Count" Basie became
Leader.
WIKI BIO:
en.wikipedia.org/wiki/Bennie_Moten
RHJ Bio;
www.redhotjazz.com/moten.html
Bennie Moten's Kansas City Orchestra:
www.redhotjazz.com/bmkc.html

1932 Meg Myles, vocals
b. Seattle, WA. USA.
née: Billie Jean Jones.
In
the 1950s, Meg was a popular men's magazine model and pinup girl. As an
actress, she was seen in a TV soap opera, but is perhaps best known
today for her starring role in the cult B-movie, 'Satan in High Heels'
Her singing career consists of a couple of LPs, 'At the Living Room',
and one with Jimmie Rowles, 'Meg and Me'.
BIO:www.javasbachelorpad.com/megmyles.html

1912 Singleton Palmer, Bass/Tuba
b. St.Louis, MO, USA.

1914 Ernest James "Jim" Riley
piano/vibes/banjo/arranger
b: Fremantle, WA, USA.
Played
With: Frank Coughlan; Ron Moyle 1937-38; Ken Murdoch; Merv Rowston;
Swing Five; Except nine months in England with Nat Gonella and Charlie
Lees

1915 Clement Tervalon, bass/tuba
b: New Orleans, LA, USA.
d: Dec. 2, 1989, New Orleans, LA.
Played with Bessie Smith on the vaudeville circuit.

Notable Events
on this date include:

1937.
NBC introduced the very first
full-sized symphony orchestra
formed exclusively for radio broadcast.

1966.
"Washboard Sam", washboard
died in Chicago, IL, USA.
Age: 56. aka "Ham Gravy"
The was the illegitimate son of Frank Broonzy,
the same man who fathered bluesman Big Bill Broonzy,
who frequently worked with his half (?)-brother.

1996.
Bill Doggett
C&W star, died.
Age: 80

Songs Recorded/Released
this date include:


1924 “Some Of These Days”
Vocal refrain by C.A. Coon and J.L. Sanders
- Coon Sanders Nighthawks Orchestra
LISTEN:
www.redhotjazz.com/songs/co...tdays.ram

1924 “Boxcar Blues”
- Faye Barnes / Maggie Jones
LISTEN:
www.redhotjazz.com/songs/ma...blues.ram

1924 “Western Union Blues”
- Faye Barnes / Maggie Jones
LISTEN:
www.redhotjazz.com/songs/ma...blues.ram

1925 “I Never Knew’
- (Ted Forito / Gus Kahn)
- Art Landry and His Orchestra
LISTEN:
www.redhotjazz.com/Songs/ka...845-B.ram

1925 “I'm Sitting On Top Of The World (Just Rolling Along - Just Rolling Along’)
- Art Landry and His Orchestra
LISTEN:
www.redhotjazz.com/Songs/ka...ontop.ram

1925 “What Could Be Sweeter Than You ?’
- Art Landry and His Orchestra
LISTEN:
www.redhotjazz.com/Songs/la...uldbe.ram

1925 “Don't Wait Too Long”
Vocal Chorus by Arthur Fields
- Bailey's Lucky Seven
LISTEN:
www.redhotjazz.com/Songs/lu...twait.ram

1925 “I Wonder Where My Baby Is Tonight?”
- Bailey's Lucky Seven
LISTEN:
www.redhotjazz.com/Songs/lu...ybaby.ram

1927 “Police Blues”
-Lizzie Miles
LISTEN:
www.redhotjazz.com/songs/mi...blues.ram

1927 “When You Get Tired Of Your New Sweetie”
- Lizzie Miles
LISTEN:
www.redhotjazz.com/songs/mi...tired.ram

1929 “Mint Julep”
- Jelly Roll Morton's Red Hot Peppers
LISTEN:
www.redhotjazz.com/songs/mo...Julep.ram

1929 “Jersey Joe”
- Jelly Roll Morton's Red Hot Peppers
LISTEN:
www.redhotjazz.com/songs/mo...yjoe1.ram

1929 “Mississippi Mildred”
- Jelly Roll Morton's Red Hot Peppers
LISTEN:
www.redhotjazz.com/songs/mo...dred1.ram

1935 “Moonburn"
(Hoagy Carmichael)
- Joe Sullivan Trio
LISTEN:
www.redhotjazz.com/Songs/su...nburn.ram

LYRICS:

I'm sitting on top of the world
~Lyric by Lewis and Young
~Music by Ray Henderson

I'm sitting on top of the world,
Just rolling along, just rolling along.
I'm quitting the blues of the world,
Just singing a song, just singing a song.

Glory, hallelujah, I just phoned the parson,
"Hey, Par, get ready to call!"
Just like humpty dumpty,
I'm ready to fall.

i'm sitting on top of the world,
Just rolling along, just rolling along.
I'm quitting the blues of the world,
Just singing a song, just singing a song.


blog post Happy Birthday Frank Sinatra!
Posted in POETRY on Dec 12, 2007 at 6:14 PM
Happy Birthday... The image “http://www.coutant.org/morecele/sinatra.jpg” cannot be displayed, because it contains errors.Frank Sinatra!





Francis
Albert Sinatra (December 12, 1915 – May 14, 1998) was an iconic
American jazz-oriented popular singer and Academy Award-winning actor.
http://www.lafsd.k12.ca.us/people/mmeneghe/frank1b.gif
Beginning
his musical career in the swing era with Harry James and Tommy Dorsey,
Sinatra became a solo artist with great success in the early to
mid-1940s, being the idol of the "bobby soxers".
The image “http://img.timeinc.net/time/time100/images/main_sinatra.jpg” cannot be displayed, because it contains errors.
His
professional career had stalled by the 1950s, but it was reborn in 1954
after he won the Academy Award for Best Supporting Actor. He signed
with Capitol Records and released several critically lauded albums
(such as In the Wee Small Hours, Songs for Swingin' Lovers, Come Fly
with Me, Only the Lonely and Nice 'n' Easy).
The image “http://funkyimg.com/u/26268Frank_Sinatra_My_Way__The_Best_Of.jpg” cannot be displayed, because it contains errors.
Sinatra
left Capitol to found his own record label, Reprise Records (finding
success with albums such as Ring-A-Ding-Ding, Sinatra at the Sands and
Francis Albert Sinatra & Antonio Carlos Jobim), toured
internationally, and fraternized with the Rat Pack and President John
F. Kennedy in the early 1960s.


http://www.boston.com/ae/sidekick/blog/frank%20sinatra.jpg
Sinatra
turned fifty in 1965, recorded the retrospective September of My Years,
and scored hits with "Strangers in the Night" and "My Way". Sinatra
attempted to weather the changing tastes in popular music, but with
dwindling album sales and after appearing in several poorly received
films, he retired in 1971. Coming out of retirement in 1973, he
recorded several albums, scoring a hit with "(Theme From) New York, New
York" in 1980, and toured both within the United States and
internationally until a few years before his death in 1998.

Sinatra
had three children; Nancy, Frank Jr. and Tina by his first wife Nancy
Barbato. He was married three more times, to the actresses Ava Gardner
and Mia Farrow and finally to Barbara Marx, to whom he was married at
his death.

#1 WIKI BIO:
en.wikipedia.org/wiki/Frank_Sinatra

The image “http://artfiles.art.com/images/-/Frank-Sinatra---Oceans-Eleven-Photograph-C12141557.jpeg” cannot be displayed, because it contains errors.
#2 Rat Pack: en.wikipedia.org/wiki/Rat_Pack

The image “http://www.radiomacomb.com/images/airstaff/WLRB/sinatra.jpg” cannot be displayed, because it contains errors.
#3 Sinatra Doctrine:
en.wikipedia.org/wiki/Sinatra_Doctrine

#4 FBI Files on Frank Sinatra:
en.wikipedia.org/wiki/FBI_...nk_Sinatra
The image “http://www.nndb.com/people/300/000026222/frank-sinatra-mugshot-nndb.jpg” cannot be displayed, because it contains errors.


blog post SPOTLIGHT for DECEMBER 12TH...
Posted in POETRY on Dec 12, 2007 at 4:54 AM
Entry for

December 12th, 2007...




http://nfo.net/brit/elizald1.jpg


BIRTHDAYS

1909
Emmanuel Edward "Eddie" Barefield
Clarinet/soprano-alto-tenor-baritone sax
b. Scandia, IA, d. Jan 4, 1991.

1915
Everette "Leonard" Edstron
bandleader/music publisher
b. Worthington, Minnesota, USA
d. March 19, 2000, Palm Desert, Riverside, California, USA.
aka: Hal Leonard

1907
Fred Elizalde
Piano/Leader
b. Manila, Philippines
d. Jan. 16, 1979.
(some sources say d. 1972)
Connections
between the Philippines and the jazz scene are slight -- but here is
one for sure, half of a pair of brothers born into one of that island
nation's wealthiest families. Both Fred Elizalde and Manuel Elizalde
led dance bands in London, England, beginning in the second half of the
'20s; they were sent there to attend posh Cambridge, naturally. The
Elizalde brothers eventually dipped into the pool of brilliant New York
City recording session players to bolster the staff of their band,
certainly one reason that an ensuing Savoy Hotel stint was such a
smash.

Fred Elizalde laid the groundwork for his later
in-depth studies with the brilliant composer Maurice Ravel by himself
scribbling out a minuet at the ripe age of four. Both brothers were
shipped around to only the best schools -- besides the aforementioned
Cambridge there was Stanford University in California where, at only
16, Elizalde assumed leadership of the Stanford University Band for a
Biltmore Hotel gig in Los Angeles. Moving from there to England only
furthered his career as a bandleader and arranger: but his parents had
meant otherwise, apparently horrified at their sons' interest in
performing popular music.

An ensemble bravely called the
Quinquaginta Ramblers was the first group Fred Elizalde took over upon
arrival in England. The noted bandleader Bert Ambrose, often credited
under just his surname, took a liking to the Filipino lad's piano
playing as well as his ideas for compositions, and was an early
employer. Near the end of the '20s, Elizalde disbanded his
British-American ensemble and moved elsewhere in Europe, studying
classical music in Spain and working privately with Ravel in France. In
the early '30s there were some further Elizalde recordings done in
England, but in later years he would return there only for classical
concerts, basically settling back in the Philippines where he ran his
own radio station.
~ Eugene Chadbourne
jabw_vintage/report no. 11 - Fred Elizalde, influential musician and band leader:
www.jabw.demon.co.uk/elizal2.htm
~John Wright

The image “http://www.longlostcousins.co.uk/songlistpics/connie-francis.jpg” cannot be displayed, because it contains errors.
1938
Connie Frances
Pops Vocalist
b. Newark, NJ, U.S.A.
née: Concetta Franconero

1896
Jay Gorney, Composer
b. Bialystok, Russia
d. June 14, 1990.
né: Daniel Jason Gorney.
In
1932, Gorney scored musical 'Americana', the big hit from the show was
"Brother, Can You Spare a Dime" (lyric by E. Y. "Yip" Harburg). This
song, played throughout the Great Depression years, is still used as a
symbol of hard economic times.
WIKI BIO:
en.wikipedia.org/wiki/Jay_Gorney

1920
Dick James
label owner
(DJM Records)
b. London, England, UK
WIKI BIO:
en.wikipedia.org/wiki/Dick_James

1914
Laurence "88" Keyes, piano
b. Kansas City, KS, USA

1907
Allen Massey
C&W guitar and banjo
b. Texas, USA.
d. 1983, Texas, USA.
Age: 75.
Member:
"Louise Massey & the Westerners" The Westerners consisted of Milt
Mabie, bass fiddle (1934), Larry Wellington, accordion (1934), Dott
Massey, violin and trumpet (1934), Louise Massey Mabie, singer and
pianist (1934), and Allen Massey, guitar and banjo specialist ( Louise,
Dott and Allen are sister and brothers. Milt was "adopted" by Louise
several years prior to 1934.) They grew up on a ranch near Roswell, New
Mexico but took up music instead of 'cow-punching'. Their music has
been described variously as both "...the rollicking songs of the
West..." , and also '...like the soft breeze that whispers across the
desert at sunset...' They were also quite adept at playing modern Pop.

1913
Don Stovall, Alto Sax
b. St. Louis, MO, USA, d. 1970
One
of the great alto-saxophonists of the 1940's, Don Stovall's decision to
retire completely from music while still in his prime has led to him
being quite obscure in jazz history books. Stovall started out playing
violin before switching to alto. In St. Louis early on he worked with
Dewey Jackson, Fate Marable (on riverboats) and Eddie Johnson's
Crackerjacks (1932-33).

Stovall moved to Buffalo for a few
years where he mostly led his own groups and had a short stint with Lil
Armstrong. After relocating to New York City in 1939, Stovall worked
with Sammy Price, Snub Mosely, Eddie Durham's Big Band and the Cootie
Williams Orchestra (1941). His most famous association was with Red
Allen's Sextet, a rambunctious group that mixed together Dixieland with
early R&B and jump/jazz. The altoist was featured on many records
with Allen. Don Stovall decided in 1950 to retire from music and he
spent the rest of his life working for the phone company! Unfortunately
he never led his own record date but he did record with Allen, Lil
Armstrong, Pete Johnson, Sammy Price and Snub Mosley among others. ~
Scott Yanow

1918
Joe Williams, Vocals
b. Cordele, GA, USA
d. March 29, 1999, Age 80.
né: Joseph Goreed.
Vocals first w/Benny Moten Orch (Kansas City, MO), and then with Count Basie Orch.
WIKI BIO:
en.wikipedia.org/wiki/Joe_...zz_singer)

Notable Events occuring
on this date include:

http://media.npr.org/music/bjrl/baileya200.jpg
1951.
Mildred Bailey, vocals
died in Poughkeepsie, NY, USA.
Age: 44

1962.
Leon "Abner" Weaver
Member: "The Weaver Brothers & Elviry" died. Age: 76,

1974.
John Lomax Jr., folklorist
died in Houston, TX, USA.
Age: 67

1988.
Jim Bulliet
label founder
(Bullet Records)
died in Nashville, TN, USA.
Age: 79


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