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IMEEM musician profile for Garaj Mahal . Listen to MP3 music, videos, pictures, blogs, tour dates, playlists and more from Garaj Mahal
Garaj Mahal

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Introducing Kate Earl EP  5 weeks ago

Upcoming Shows

Next Show: 7/23/2009
Venue: 10000 Lakes Music Festival
Address: Detroit Lakes, MN 56501
7/24/2009   The Green Mill Jazz Club   More Info
Date: 7/24/2009
Venue: The Green Mill Jazz Club
Address: Chicago, IL 60640
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7/25/2009   Tabfest w/ Freekbass   More Info
Date: 7/25/2009
Venue: Tabfest w/ Freekbass
Address: 8619 Deepcut Road
Mendon, OH 45862
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8/22/2009   Mountain West Music Festival   More Info
Date: 8/22/2009
Venue: Mountain West Music Festival
Address: Mountain West Music Festival Grounds
Whistler, BC V0N 1B4
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9/3/2009   Jazz In the Park   More Info
Date: 9/3/2009
Venue: Jazz In the Park
Address: 3233 E Kenwood Blvd
Milwaukee, WI 53211
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9/17/2009   Jazz in the Park   More Info
Date: 9/17/2009
Venue: Jazz in the Park
Address: Cathedral Square Park 520 E. Wells St
Milwaukee, WI 53202
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9/18/2009   University of Wisconsin Steven’s Point   More Info
Date: 9/18/2009
Venue: University of Wisconsin Steven’s Point
Address: 2100 Main St
Stevens Point, WI 54481
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9/24/2009   Papa Pete’s   More Info
Date: 9/24/2009
Venue: Papa Pete’s
Address: 502 S Burdick St
Kalamazoo, MI 49007
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9/25/2009   Nelson Ledges Quarry Park   More Info
Date: 9/25/2009
Venue: Nelson Ledges Quarry Park
Address: 12001 Nelson Ledge Rd
Garrettsville, OH 44231
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9/26/2009   Hyde Park Jazz   More Info
Date: 9/26/2009
Venue: Hyde Park Jazz
Address: 1525 E 53rd St
Chicago, IL 60615
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About

Description
When you hear your first Garaj Mahal note, leading into an innovative fusion of funky jazz with a tasty world music flare, all other thoughts leave your mind as the music takes you on an unforgettable voyage. Fans return to experience the band again and again because they know they will always hear something new and progressive from these four first-class musicians.


Featuring guitar and sitar virtuoso Fareed Haque, world-renowned bass master and educator Kai Eckhardt, gospel-inspired funky jazz keyboardist Eric Levy, and genetically-funky Sean Rickman, Garaj Mahal combines a century of musical experience to create a sound that's always new, freshly infused with a wide spectrum of musical expression, and always smoking hot.


Touring extensively since their formation in 2000, Garaj Mahal continues to earn critical acclaim and a growing fanbase thanks to their ability to deliver serious "shut-up-and-listen" grooves while simultaneously bringing the dance floor alive. Their collective musical experience allows them to constantly push the envelope of composition and improvisation. Garaj Mahal's sound – a convergence of jazz-style improvisation, mystical Middle-Eastern atmospheres, and danceable American funk - attracts music lovers from all parts of the spectrum and creates a profoundly unique experience.


Each band member dedicates every drop of his education, history, and life-long passion for music to their audience every time they step on stage. The band member's virtuosity is no surprise when you look at even a few of the amazing artists they've performed and/or recorded with over the years, including Dizzy Gillespie, John McLaughlin, Sting, Cassandra Wilson, Dave Holland, Bela Fleck, Chick Corea, Steve Smith, Zakir Hussain, Edgar Meyer, Les Claypool, Trey Anastasio, Umphrey's McGee, MMW, Steve Kimock, and Michael Manring. Garaj Mahal's current release and third studio album, wOOt, is the result of years spent honing their musical relationship on the road and is already accumulating rave reviews around the country.
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Band Members
Kai Eckhardt - bass,Fareed Haque - guitars,Sean Rickman - drums, Eric Levy - keys, Alan Hertz - Drums
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Blog Post

http://zoiksmag.blogspot.com/2008/10/garaj-mahal-represents-world.html

By Jason Tanamor

The band Garaj Mahal got its name from a contest the band hosted when it first started. “At the very beginning stages of the band, we had an email contest and got several hundred ideas for band names,” Eric Levy said. “We ended up using Garaj Mahal because it represented the world influences the band has.”



Levy, keyboards, was the final member to join the unique band that also consists of Kai Eckhardt, bass; Fareed Haque, guitars; genetically-funky Sean Rickman, drums; and the recently departed Alan Hertz, drums. “It started with Fareed, our guitar player, flying to San Francisco to do a show with our drummer Alan. Alan knew Kai, and Fareed knew me. We’ve been playing together for the last eight years,” said Levy. “They had a keyboard player for a few months, but he left and pretty much, outside of San Francisco, it’s been just us, the same four members.”

Garaj Mahal’s music, a variation of tunes with both jazz and Indian influences, focuses on different grooves that people can dance to. It’s something that Levy, along with the rest of the guys, wants to convey to their audience. “I think people will get out of it what they’re willing to put into it. If someone is going out to dance and have a good time, or maybe meet someone, that’s a possibility at our show,” said Levy. “If they have fun then we’re happy for them. If someone wants to be intellectually challenged, that option is available to them. People tend to go to our show for one or all those options.”

Like its name and original way it came about, the band also looks at its music as different than what’s out on the scene today, specifically when it comes to the show, ‘American Idol,’ and what the reality show has to offer. “I figure, personally, I’ve decided to be a musician for my life and career. It’s a pretty idealistic pursuit, given our society, to be an idealist all the way and play music that challenges me. Looking at it through those type of lenses, I get great satisfaction. We sustain as a business, but we hope to have music heard the way we’re hearing it,” said Levy. “With any band, there’s going to be people who are turned on and some that just aren’t. I think we do really well actually. We can go from playing one night to an older, intelligent crowd, and the next night, be in a ruckus bar, and it’s a whole different set of challenges. But pending on the audience, it forces us to play different, and that’s not a bad thing because it pushes us to play on grooves. It’s where we focus our attention, and the venues changing from night to night are good.”