login
powgrl
blog post Sarah Moon - Photographer
Posted in Photography on Nov 23, 2009 at 8:54 PM


Sarah Moon


blog post Mahmoud Darwish - Poet
Posted in Poetry & Photography on Nov 02, 2009 at 4:03 PM

While Waiting

abigail berenika

"While waiting, I become obsessed with observing
the many possibilities:maybe she forgot her small
suitcase on the train, and my address got lost
and her mobile phone got lost, so she lost her appetite
and said: No share of the light drizzle for him/
Or maybe she got busy with an urgent matter or a journey
to the south to visit the sun, and called
but didn't find me in the morning, because
I had gone to buy some gardenia for our evening
and two bottles of wine/
Or maybe she was in dispute with her ex-husband
over matters of memory, and she swore not to see
another man who might threaten her with making memories/
Or maybe she crashed into a taxi on the way
to see me, which extinguished some planets in her galaxy.
And she is still being treated with tranquilizers and sleep/
Or maybe she looked in the mirror before going out
of herself, felt two large pears
making waves on her silk, then sighed and hesitated:
Does anyone else other than myself deserve my womanhood/
Or maybe she ran, by coincidence, into an old
love she hadn't healed from, and joined him for dinner/
Or maybe she died,
because death loves suddenly,like me,
and death, like me, doesn't love waiting."

Mahmoud Darwish

abigail berenika

"Mahmoud Darwish is the Essential Breath of the Palestinian people, the eloquent witness of exile and belonging, exquisitely tuned singer of images that invoke, link, and shine a brilliant light into the world's whole heart. What he speaks has been embraced by readers around the world—his in an utterly necessary voice, unforgettable once discovered."
- Naomi Shihab Nye

abigail berenika

Poem courtesy of Sól Veig Thank you dearest!
Photography and art by, Abigail Berenika





blog post The Witch's Life
Posted in Poetry & Photography on Oct 28, 2009 at 10:17 PM




The Witch



"When I was a child
there was an old woman in our neighborhood whom we called The Witch.
All day she peered from her second story
window
from behind the wrinkled curtains
and sometimes she would open the window
and yell: Get out of my life!
She had hair like kelp
and a voice like a boulder.

I think of her sometimes now
and wonder if I am becoming her.
My shoes turn up like a jester's.
Clumps of my hair, as I write this,
curl up individually like toes.
I am shoveling the children out,
scoop after scoop.
Only my books anoint me,
and a few friends,
those who reach into my veins.
Maybe I am becoming a hermit,
opening the door for only
a few special animals?
Maybe my skull is too crowded
and it has no opening through which
to feed it soup?
Maybe I have plugged up my sockets
to keep the gods in?
Maybe, although my heart
is a kitten of butter,
I am blowing it up like a zeppelin.
Yes. It is the witch's life,
climbing the primordial climb,
a dream within a dream,
then sitting here
holding a basket of fire."

- Anne Sexton



Happy Halloween Everyone!





Evgeniy Sharman
Evgeniy Shaman

Evgeniy Sharman
Evgeniy Shaman


blog post THIS CARNIVAL
Posted in Poetry & Photography on Oct 26, 2009 at 4:48 PM

László Moholy-Nagy
László Moholy-Nagy


"This carnival
won the battle
spread golden ears
of intangible wheat
glittering among the unseen

What is not seen?
The photographer

Let us say the sound
of green is not seen
save if you perceive its smell

Green oil smells of turpentine
and what does green smell of?

If we take green’s route
we return to the carnival
This is possible because of green’s
endless need for red

In this carnival
the sacrifice consists in spilling
the milk of mystery
on the breasts of assassinated children

This carnival
is only attended by the hosts
of the Libertines of the Thunderbolt
dancers to the rhythm
of the unsaid word
only apprehensible
by the Eros of objects

And music connects everything
from the abysses of silence
for all the people
so that the noise dances
in order to become the sound
of what vanishes in friction
but is reborn in universal contact

Music is the marrow of this carnival
and alcohol a gold damsel
not splashed by the blood
of the massacred
but by the solar dust of delirium

There are no notions
for this carnival
it resides in the flash of lightning
where the impossible golden ear sings

You will be a warrior when you see
the gold of tears flow "

Jairo Guzmán
© Translation: 2009, Nicolás Suescún





blog post Jay Wright - Poet
Posted in Poetry & Photography on Oct 08, 2009 at 6:24 AM

Wynn Bullock

The Cradle Logic of Autumn

En mi país el Otoño nace de una flor seca,
de algunos pajaros; . . .
o del vaho penetrante de ciertos rios de la llanura.
—Molinari, “Oda a una larga tristeza”

Each instant comes with a price, the blue-edged bill
on the draft of a bird almost incarnadine,
the shanked ochre of an inn that sits as still
as the beavertail cactus it guards (the fine
rose of that flower gone as bronze as sand),
the river's chalky white insistence as it
moves past the gray afternoon toward sunset.
Autumn feels the chill of a late summer lit
only by goldenrod and a misplaced strand
of blackberries; deplores all such sleight of hand;
turns sullen, selfish, envious, full of regret.

Someone more adept would mute its voice. The spill
of its truncated experience would shine
less bravely and, out of the dust and dunghill
of this existence (call it hope, in decline),
as here the blue light of autumn falls, command
what is left of exhilaration and fit
this season's unfolding to the alphabet
of turn and counterturn, all that implicit
arc of a heart searching for a place to stand.
Yet even that diminished voice can withstand
the currying of its spirit. Here lies—not yet.

If, and only if, the leafless rose he sees,
or thinks he sees, flowered a moment ago,
this endangered heart flows with the river that flees
the plain, and listens with eye raised to the slow
revelation of cloud, hoping to approve
himself, or to admonish the rose for slight
transgressions of the past, this the ecstatic
ethos, a logic that seems set to reprove
his facility with unsettling delight.
Autumn might be only desire, a Twelfth Night
gone awry, a gift almost too emphatic.

Logic in a faithful light somehow appeases
the rose, and stirs the hummingbird's vibrato.
By moving, I can stand where the light eases
me into the river's feathered arms, and, so,
with the heat of my devotion, again prove
devotion, if not this moment, pure, finite.
Autumn cradles me with idiomatic
certainty, leaves me nothing to disapprove.
I now acknowledge this red moon, to requite
the heart alone given power to recite
its faith, what a cradled life finds emblematic.

Jay Wright



Photography by, Wynn Bullock.



blog post Anne Sexton - Poet
Posted in Photography & Literature on Sep 19, 2009 at 3:32 AM

Cinderella

You always read about it:
the plumber with the twelve children
who wins the Irish Sweepstakes.

From toilets to riches.
That story.

Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
from diapers to Dior.
That story.

Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.

Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.

Tim Walker

Tim Walker

Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout. Be good. Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would dropp it like an egg upon the ground.
The bird is important, my dears, so heed him.

Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.

Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little slippers.
Rather a large package for a simple bird.
So she went. Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.

As nightfall came she thought she'd better
get home. The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone. Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
They just don't heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.

At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.

Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.

Anne Sexton

Tim Walker

Text by, Anne Sexon photography by Tim Walker.


blog post A Letter on TV
Posted in Television on Sep 15, 2009 at 3:50 PM
mirage II

"Dear Karen,

If you are reading this, it means I actually woke up the urge to mail it,

so, good for me. You don't know me very well, but if you get me started, I

have a tendency to go on and on about how hard the writing is for me. But

this, this is the hardest thing I ever had to write. There is no easy way

to say this, so I'll just say it. I met someone, it was an accident, I wasn't

looking for it, I wasn't on the make, it was the perfect storm. She said one

thing, I said another, the next thing I knew I wanted to spend the rest of my life

in the middle of that conversation. Now there is this feeling in my gut, she

might be the one, she is completely nuts, in a way that makes me smile highly

neurotic. A great deal of maintenance is required. She is you, Karen. that's the

good news, The bad is I don't know how to be with you right now, and it

scares the shit out of me. Because if I am not with you right now, I have this

feeling we'll get lost out there. It's a big bad world full of twisting

turns, and people have a way of blinking, missing the moment, the moment

that could have changed everything. I don't know what's going on with us, and I

can't tell you why you should waste a leap of faith on the likes of me. But

damn, you smell good, like home, and you make excellent coffee, that's

gotta count for something, right? Call me.

Unfaithfully yours,
Hank Moody"

http://www.youtube.com/watch?v=u6mkeLJwnTY


blog post Remember
Posted in Remembrance on Sep 11, 2009 at 2:57 PM

9/11, 2000
Linda Foard Roberts







blog post Brassaï
Posted in Photography on Sep 05, 2009 at 2:41 AM
Brassaï
Brassaï


blog post Elisabeth Bletsoe - Poet
Posted in Poetry & Photography on Aug 27, 2009 at 4:40 AM
Evgeniy Shaman
Evgenity Shaman


THE SEPARABLE SOUL
seepage

like the memory of water
an interstitial filtrate
between stones, within speech

the weight of absence,
of meaning implicit in

these empty spaces

reading you in
reading between the lines
absorbing small shocks of recognition that
ripple back
from some projected future conflux;
sound-patterns skimming the surface like
the dreams of fish

my interoceptors resonant with
vast electrical slippage
down the sky,
avalanches of invisible lightning;
shifts in tectonic weather through which
I strive to detect your undersong
in each volution,
involucre;

to discover your cipher that
I envisioned as
underwriting the disjuncted chancel, this
footprint of a drowned house,
the seagrass meadows
“dotted with pulpy creatures
reflecting
a silvery & spangled radiance
upwards”

threads of occluded syllables
that bind me to the locale by
“strange & injurious ties”
dissolve to
incoherence
symbols like marks made by gulls in the sand

exploring the contextures of this
erotomania
(a nail in the vertex)
the exquisite salting of wounds

with each word I spoke
I was becoming less the person
you imagined,
a second biography encrypted
beneath my skin:
Evgeniy Shaman
as if I had left my heart behind in the wrong place

as if my lungs were too low and that something was growing out of my sides

as if I were in a cave of unknowing

as if a distance could be measured between hollow and holy

as if my chest were full of tears

as if my bubble were slowly bursting

as if there were a need for a lighthouse so we knew where we were

as if the third star were missing and I found it at the bottom of the bed

as if a light spiralled upward and opened my head; the dandruff of old snapshots showering down

as if on your own you really do hear voices in the tide

as if I were so isolated I could have walked into the lake

as if water swallows light

as if a central sadness coalesced in the sternum

as if the lights were switched off when I was halfway up the stairs

as if I were trapped between white sheets

as if there were something lodged in my throat like chalcedony

as if the air had twelve edges

as if my head felt hot like a bird with high fever

as if a pain formed in my face in the shape of a bill

as if I were to start a soul-journey of a thousand and one days

as if while painting the ceiling white the marriage felt like a mourning

as if the moon had assumed the fullerine structure of consciousness

as if my cream silk clothes were covered in a huge clot of blood

as if a baby with bulging eyes were trying to suckle through its beak

as if I had broken an egg in my hand; a tiny white bird detached from its yolk, breathing

as if this brackish lagoon were lipped by languages I was reluctant to translate

as if in a dream subsisting on eel-grass among Siberian refugees

as if I were cutting apart two fish that were joined at the tails

as if a stigmatic inflorescence sprang from my right palm

as if there were a pulsating code at the base of the spine

as if white mucus dribbled from one nostril

as if a series of cuts had formed on the high arch of the palate

as if the coles feminus were coated in pearl

as if I woke with the scrape of feathers between my legs

as if I were laying on folded wings
Evgeniy Shaman
straying into the fault zone
as westerly cliffs of shear evolve
points of collapse;
your leave-taking abandoned me
poised on the brink of a conversation
for which I now dis(re)member the
language
scratches of light dissecting
the ridge of Corallian beds
once formed in clear shallows

suffering attrition, a trituration
becoming trite
detritus fetched up by the
overwash of storm-surge:
marine transgressions
inventing/reinventing my
somatology
as the beach rolls slowly
over itself
red & black chert, jasper, tourmalinised
quartz

locus of transitions
a constant state of mutagenesis;
dialogue perpetually rehearsed
but never spoken
tracing whole sentences
on the roof of my mouth with
my tongue
glossing over details that
you will neither read nor hear:

the inverse reflection of a tower cloud
condensed
in a drop of rain on a reed-blade,
a floating quill plastered
to the smoothness of stone,
defence-posts of small bunting territories;


the capriciousness of the revealed world

my cell plasma preserving
(it once was said)
a saline imprint of
that original sea

all things tending towards solution

“tiny cuspate spits of gravel, limestone slab
shells &
a little sand”

the residew be sparkelid


Abbotsbury swannery; Chesil and The Fleet



Text by Elisabeth Bletsoe and photography by Evgenity Shaman.


1 2 Next

RssFeed

Blogroll