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blog post Within a Whisker of Fame
Posted in Random Stuff on Jul 29, 2005 at 4:29 PM

I was at a party this weekend - it was a family get together of a long time friend of Amy's, so I didn't know anyone. But that's not a problem when I can just carry around a cute baby to keep me company, and act as a conversation starter. One of the cuter moment came when she was fascinated by one guests's beard and grabbed at it, he was okay with it though. Turns out this guest was Bob Weir from the Grateful Dead.....



The Pet Shop Boys are probably the most successful duo in british chart history, consisting of Neil Tennant and Chris Lowe - they were producing intellectual synth pop long before it became fashionable. They've been hugely influential in the development of dance music but, they only really came together as a result of a long list of cooincidences. Neil was a journalist, at the time he was working for pop magazine 'Smash Hits', Chris was training to be an architect - he'd always enjoyed 'designing houses' since he was young. Both of them had performed with rock bands, Neil played hippy guitar music, Chris played rock and roll standards. But they both liked the new euro-Disco / Hi-NRG sounds and in particular the work of american dance producer Bobby 'O' Orlando. They cut a demo tape and for 90% of bands that would be it.... but Neil was sent to New York to review a Police concert and interview Sting. In the same building Bobby O had offices, so Neil pitched the tape to him and the rest is history.

Anyway, back to this record, it was their first collaboration with 60's legend Dusty Springfield, but, Neil started writing the song back when he was still working as a Journalist. Later, during the recording of the first album they Neil and Chris fleshed out the song with the help of Allee Willis, but the duet wasn't arranged in time. Which is probably a good thing, if the record company had pushed we may have ended up with some lesser collaborator, but, Dusty Springfield was Neils first choice for the song.

The lyrics are essentially a conversation between a young man and an older woman who've had an affair which has since ended. You can pretty much guess where it goes from there, Neil is never the greatest singer in the world but his songwriting is always brilliant. Dusty adds some real strength to the vocals that's lacking in any other PSB release, easily the best thing they ever recorded.

http://www.amazon.com/exec/obidos/ASIN/B000002UD7/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02



I mentioned Stuart Price's collaboration with Juliet in my previous post, well this man has quite an extensive collection of pseudonyms -Jacques Lu Cont, Les Rythmes Digitales, Man With Guitar, Paper Faces, Pour Homme and Thin White Duke, he's also one third of Zoot Woman. Stuart has an interesting story, his parents are actually British, but he was born while his parents were on holiday in France, this explains his fondness for gallic sounding psuedonyms. His parents were concert pianists and as a child he wasn't permitted to listen pop music, his first intrduction to electronic music came via a somewhat unusual path. At age 15 he was admitted to a mental institution and part of his group therapy sessions involved music recreation, Stuart started recording experimental electronic compositions and within 3 years he'd formed Zoot Woman and released their first record.

So anyway, why this track? Well if you've seen the Citroen commercial featuring a giant transformer dancing? (if you haven't seen it on TV perhaps you're in some cultural backwater like the USA - just google for 'transformer dance' and you're sure to find it) - This is the record they used - silly stuttering vocal samples and 80's style electro funk sounds. And, if you see the commercial, then you won't be able get this thing out of your head for the rest of your life.

http://www.amazon.com/exec/obidos/ASIN/B0000206B3/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02



blog post Juliet - Avalon
Posted in Records on Jul 28, 2005 at 10:57 AM

Juliet Richardson collaborating with Stuart Price (a man of many names) producing one of the best vocal house records of the year. This destroys any stereotypes about wailing diva house music with plinkey-plonkey piano lines and disco samples, imagine Annie Lennox doing deep house music, proper deep house, without all those jazzy noodlings that the San Francisco producers overuse. The vocals are lush and textured, layered on top of each other, sometimes whispered, breathed, rolling off her tongue, repeated again and again, and always a perfect complement to a near perfect backing track.

http://www.amazon.com/exec/obidos/ASIN/B00096S40S/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02

(you can also hear the full version of this track at the website http://www.julietsounds.com/ - definately worth a visit)



blog post Bedrock - Heaven Scent
Posted in Records on Jul 28, 2005 at 10:33 AM

The tranciest moment in John Digweed's long DJ career, Bedrock is a long running collaboration between John and producer Nick Muir. Originally they were just making records, but now there's a whole host of artists releasing tunes on the Bedrock label, or one of it's affiliates. Anyway, even for something generally classified under 'trance' it's remarkably contemplative and restrained, but then again, John is famous for never smiling in public ;)

http://www.amazon.com/exec/obidos/ASIN/B00002MZ4K/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02

If you've ever seem the movie 'Groove' then this is the track he plays right at the climax of the movie. Okay, it's kinda a crap movie, but I know so many people who turn up in that movie either as DJ's or extras, so it's something of a guilty pleasure for me.

http://www.amazon.com/exec/obidos/ASIN/B00004YMCF/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02

 

 




blog post The Small Faces - Lazy Sunday Afternoon
Posted in Records on Jul 26, 2005 at 8:15 PM

It's was a toss up between this and Itchycoo Park - a record so good that even M-People's 'painting by numbers' cover version still sounded pretty good. But this record is first record I know to use the term 'ravers' for a load of people having a party so it's at least somewhat historically important in addition to being a brilliantly fun record.

http://www.amazon.com/exec/obidos/ASIN/B000083GPQ/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02



blog post DJ Shadow - Mutual Slump
Posted in Records on Jul 25, 2005 at 4:33 PM

One of my favourite moments from Endtroducing - I had to mention this in the wake of Someone finally correctly identifying the cover in the Thumbnail Game meem. (if you're reading this on the web the you probably have no idea what I'm talking about). To be honest it's hard to pick an individual track on that album because it's so uniformly excellent.

http://www.amazon.com/exec/obidos/ASIN/B000005DQR/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02



blog post All Saints - Pure Shores
Posted in Records on Jul 22, 2005 at 4:23 PM

When they first appeared this girl pop trio attracted a lot of comparisons to the Spice Girls, but they always felt a little more honest. The dreamy Pure Shores was produced by William Orbit (if you don't know who this is - he produced Madonna's "Ray Of Light" album) and released in 2000. It featured in the movie 'The Beach' and was a #1 record all over europe, meanwhile, the US market practically ignored them and the album 'Saints & Sinners' didn't even get a release in the US market. Anway, I still love this record, it's always great for parties on the beach, Norman Cook even played it to quarter of a million fans as the last track of his legendary 'Big Beach Boutique' party.

http://www.amazon.com/exec/obidos/ASIN/B00004Z3G5/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02



blog post Chris Coco - Sunday Morning
Posted in Records on Jul 22, 2005 at 4:04 PM

Chris Coco of course introduces 'The Blue Room' on BBC radio 1, this is on 'Next Wave' - a proper artist album, rather than a DJ Mix. The album features quite a breadth of collaborations, including cult author Iain Bainks reading some of his prose over 'Dreaming', and Peter Green reprising Albatross in modern chill out style. This cover version of the Velvet Underground record recruited Nick Cave who practically whispers the vocals over a backing track that sounds like its rising out of the morning mist. Chris also provides backing vocals too, which is somewhat rare for a DJ/Producer.

http://www.amazon.com/exec/obidos/ASIN/B000071JUY/002-2299184-2356832?SubscriptionId=15AZP1DJ4V427Z6NMB02



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